Conjunto Berretin's ' "Lo Que Quedo de Ti" was released on its scheduled release date, November 22, 2025. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Lo Que Quedo de Ti's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 10 in Exceso De Joda by Conjunto Berretin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lo Que Quedo de Ti is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lo Que Quedo de Ti by Conjunto Berretin is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Condena (S.O.S.) | Hyperion Ensemble, Ruben Peloni | E Minor | 3 | 9A | 129 BPM | ||
| Berlin Tango | Bassa | C Minor | 4 | 5A | 84 BPM | ||
| Recuerdo | Roberto Alvarez, Estilo Para Bailar | F♯ Minor | 4 | 11A | 117 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM | ||
| Higher Ground | Tangothic | A Major | 7 | 11B | 120 BPM | ||
| Olga | La Juan D'Arienzo | F♯ Minor | 5 | 11A | 96 BPM | ||
| Naikan - Instrumental | Fabio Hager Sexteto | A Major | 4 | 11B | 129 BPM | ||
| Oblivion | QuinTango | C Minor | 3 | 5A | 88 BPM | ||
| Al Compás Del Corazón | Orquesta Típica Andariega, Marisol Martinez | G Major | 4 | 9B | 122 BPM | ||
| Nada | Conjunto Berretin | D Major | 3 | 10B | 121 BPM | ||
| Zorzal | Conjunto Berretin | G Minor | 4 | 6A | 106 BPM | ||
| Una noche de Tokyo | Florindo Sassone Y Su Orquesta | G Major | 4 | 9B | 114 BPM | ||
| La Mulateada | Fernando Serrano | D Major | 4 | 10B | 118 BPM | ||
| Ensueños | Sexteto Mayor | E Minor | 2 | 9A | 114 BPM | ||
| Mistela | Narcotango, Carlos Libedinsky, Mariano Castro | F Major | 3 | 7B | 119 BPM | ||
| Romance de Barrio | Sexteto Milonguero | E Minor | 5 | 9A | 97 BPM | ||
| El Día Después | Carlos Libedinsky | D Minor | 4 | 7A | 172 BPM | ||
| Taconeando | Guillermo Destaillats, Rubin Saglia, Trio Pantango | C Major | 2 | 8B | 116 BPM | ||
| Tango Medley (Mi Buenos Aires querido - A media luz - Celos) | Fabio Hager Sexteto | D Major | 3 | 10B | 114 BPM | ||
| Tango Retango | Juan Carlos Caceres | D♭ Major | 7 | 3B | 112 BPM | ||
| Toda Milonga | Amores Tangos | B Minor | 3 | 10A | 113 BPM | ||
| Silueta Porteña | Fernando Serrano | D Minor | 7 | 7A | 106 BPM | ||
| Desde el Alma | Conjunto Berretin | B Minor | 5 | 10A | 182 BPM | ||
| Milonga Triste | Hugo Diaz | A Minor | 2 | 8A | 120 BPM | ||
| Loca | Los Reyes Del Tango | E Minor | 4 | 9A | 136 BPM |