"Wonderland Suite: IX. The Queen of Hearts and Finale" by Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour had its release date on June 30, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wonderland: The Alice Sound by Lee Reynolds, London Symphony Orchestra, Paul Rissmann. The song's track number on the album is #9 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wonderland Suite: IX. The Queen of Hearts and Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wonderland Suite: IX. The Queen of Hearts and Finale by Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wonderland Suite: IX. The Queen of Hearts and Finale being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore: Entracte | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 1 | 9B | 88 BPM | ||
| Tosca, Act III: E lucevan le stelle - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | F Major | 2 | 7B | 148 BPM | ||
| Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields | Howard Goodall, Stephen Darlington, London Musici | D Minor | 2 | 7A | 171 BPM | ||
| Stan and Mabel: 19. One of the Judges | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | F Major | 4 | 7B | 178 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XIII. Eine Alpensinfonie | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | B♭ Minor | 0 | 3A | 82 BPM | ||
| Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 2 | Sherlock Holmes und Dr. Watson | G Minor | 4 | 6A | 101 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Flourish Forever | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Norwegian Folk Songs and Dances, Op. 17: Stumping Dance | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | C Major | 2 | 8B | 128 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| The Human Comedy, Op. 37: The Theme of Paris | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 82 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
| No. 4, Sometimes I Feel Like a Motherless Child | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra, Victoria Walpole | A♭ Major | 0 | 4B | 76 BPM | ||
| VIII. PIECE | Yutaka Yamada | F Major | 2 | 7B | 148 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A Minor | 4 | 8A | 73 BPM | ||
| Medley from "Oklahoma!" | Orlando Pops Orchestra, Andrew Lane | A♭ Major | 2 | 4B | 133 BPM | ||
| The Last Rose Of Summer - Mono / With Violin Solo | Leroy Anderson | E Major | 2 | 12B | 103 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F Major | 2 | 7B | 148 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): II. Girl of the Moment | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Then One Day (Instrumental) | Compendium Incorporated, Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM |