Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey's 'Stan and Mabel: 19. One of the Judges' had a release date set for February 16, 2018. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #19. The popularity of Stan and Mabel: 19. One of the Judges is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stan and Mabel: 19. One of the Judges by Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: La grazie è dicesa dal cielo | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 76 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Old Sherman's Dog Toby (The Sign of Four) | Gabrieli String Quartet, John Yap | B♭ Major | 2 | 6B | 144 BPM | ||
| But Then I Realized (Instrumental) | Compendium Incorporated, Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | F Major | 4 | 7B | 135 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
| Dona nobis pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 83 BPM | ||
| Youre in Love | Alberto Moggi, Giuseppe Brittanni, Sidney Bwolser, Claire Mind | A♭ Major | 1 | 4B | 93 BPM | ||
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | F Major | 4 | 7B | 135 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Candide, Act I: No. 11, The Paris Waltz | Leonard Bernstein, London Symphony Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
| A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
| Parsifal, WWV 111: Good Friday Music | Richard Wagner, St. Louis Symphony, Jerzy Semkov | B Major | 0 | 1B | 88 BPM | ||
| Wonderland Suite: III. Down the Rabbit-Hole | Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | G Major | 4 | 9B | 133 BPM | ||
| Hilloria Island | Jeremy Marlon, Jeremy Mano | E♭ Minor | 2 | 2A | 81 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | F Major | 4 | 7B | 135 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| Stan and Mabel: 8. Roady the Duck | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | E Major | 1 | 12B | 131 BPM | ||
| La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
| Then One Day (Instrumental) | Compendium Incorporated, Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| Respighi: Trittico botticelliano: III. La Nascita di Venere | Ottorino Respighi, Hugh Wolff, Saint Paul Chamber Orchestra | D♭ Minor | 1 | 12A | 112 BPM | ||
| Stan and Mabel: 15. The Flight | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | A♭ Major | 2 | 4B | 84 BPM |