Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo's ' "Carmen Concert Fantasy, Op. 25: II. Moderato" was released on its scheduled release date, October 26, 2010. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sarasate: Music for Violin and Orchestra, Vol. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carmen Concert Fantasy, Op. 25: II. Moderato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen Concert Fantasy, Op. 25: II. Moderato by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 2. Preghiera. Larghetto | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | A Major | 0 | 11B | 60 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
| Korngold -Concerto for Violin and Orchestra in D Major, op.35: II Romance: Andante | Erich Wolfgang Korngold, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | G Major | 1 | 9B | 128 BPM | ||
| Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis | C Major | 2 | 8B | 77 BPM | ||
| Overture on 3 Russian Themes, Op. 28 | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
| La Dame Blanche de Boildieu, Op. 3 - Remastered | Pablo Martin Meliton Sarasate, Pablo de Sarasate | D Major | 1 | 10B | 78 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 87 BPM | ||
| Requiebros | Gaspar Cassadó, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 2 | 10B | 84 BPM | ||
| Concerto for Harp In C Major: III. Rondeau – Allegro agitato | François-Adrien Boieldieu, Valérie Milot, Bernard Labadie | C Minor | 0 | 5A | 105 BPM | ||
| Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato | Felix Mendelssohn, Isabelle Faust, Freiburger Barockorchester, Pablo Heras-Casado | A Major | 1 | 11B | 78 BPM | ||
| Navarra for 2 Violins and Orchestra, Op. 33 | Pablo de Sarasate, David Oistrakh, Igor Oistrakh, Gewandhausorchester, Franz Konwitschny | A Major | 2 | 11B | 107 BPM | ||
| Wieniawski: Légende in G Minor, Op. 17 | Henryk Wieniawski, Maxim Vengerov, Itamar Golan | G Minor | 1 | 6A | 81 BPM | ||
| Guitar Concerto No.1 in A, Op.30: 2. Andante siciliano | Mauro Giuliani, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | E Minor | 0 | 9A | 85 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 98 BPM | ||
| Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 76 BPM | ||
| Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): II. Adagio molto espressivo | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | A♭ Major | 0 | 4B | 92 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Trãume | Richard Wagner, Anne Akiko Meyers | A Major | 2 | 11B | 175 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 1. Moderato | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | C Major | 1 | 8B | 131 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Augustin Hadelich | A Minor | 1 | 8A | 91 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Menuetto. Allegro con moto | Antonín Dvořák, Prague Philharmonia, Jakub Hrůša | A Major | 1 | 11B | 166 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM |