Master Rana's ' "Uncha Uncha Mara Shreejina Dham" was released on its scheduled release date, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Shreenathjini Zankhi (Shreenathjini Mala-2)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Uncha Uncha Mara Shreejina Dham is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Uncha Uncha Mara Shreejina Dham by Master Rana having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Maiya Mangu Tari Paas | Kanu Patel | B♭ Minor | 5 | 3A | 86 BPM | ||
| Odhaji Mara Vhala Ne | Pamela Jain | G Minor | 5 | 6A | 174 BPM | ||
| Jagati Jag Ma Jagdamba | Achal Mehta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Dari Mohani | Rajkot Gurukul | D♭ Major | 8 | 3B | 77 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Hai Ye Pawan Bhoomi | Trupti Chhaya | C Major | 5 | 8B | 92 BPM | ||
| Maan Lidhu Morali | Shree Swaminarayan Temple Bhuj | F Major | 5 | 7B | 147 BPM | ||
| Bhitar No Bheru Maro Aatmo Khovano | Mathurbhai Kanjariya | B Minor | 5 | 10A | 94 BPM | ||
| Pratham Shree Hari Ne - Fast | Harikrishna Patel | F Major | 7 | 7B | 130 BPM | ||
| Charna Ch Lagaya Ae | Sant Trilochan Darshan Das Ji | A♭ Major | 3 | 4B | 165 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM | ||
| Dhan Dhan Ho Reva Mai | Nimadi Narmada Bhajan | Ashwin Yadav, Badal Joshi, O P Patel | G Major | 6 | 9B | 150 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| Mata Pita Ne Sada | Hemant Chauhan | F♯ Major | 3 | 2B | 156 BPM | ||
| Shree Radhavar Kunj Bihari | Mridul Krishan Shastri Ji | B Major | 4 | 1B | 79 BPM | ||
| Chori Chori Makhan Khai Gayo Re | Master Rana | E♭ Major | 6 | 5B | 123 BPM | ||
| Dada Bhagwan Aarti | Dada Bhagwan | E♭ Major | 0 | 5B | 114 BPM | ||
| Aankh Mari | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | F Major | 2 | 7B | 110 BPM | ||
| Mari Javani Ni Leela - From "Dadagiri" | Hiral Dave, Master Rana, Kashi Kashyap | E♭ Minor | 8 | 2A | 133 BPM | ||
| Jai Guru Deva Dayanidhi | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Kyan Re Vase Tulsi | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Major | 5 | 7B | 148 BPM | ||
| Raghupati Raghav Raja Ram | Satish Dehra, Foram Maheta | F Minor | 7 | 4A | 96 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM |