Prabhat Barot, Rekha Rathod's ' "Preet Na Pokare" was released on its scheduled release date, February 6, 1998. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. Since Preet Na Pokare only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Preet Na Pokare's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Preet Na Pokare by Prabhat Barot, Rekha Rathod having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humare Hai Shree Gurudev | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Are Logo Tumhara Kya | Sadhhwi Purnima Ji | B Major | 7 | 1B | 150 BPM | ||
| Ho Rang Rasiya Kya Rami Avya | Prabhat Barot, Rekha Rathod | F Minor | 6 | 4A | 96 BPM | ||
| Sire Mandir Nav Natho Ro Dham - Original | Jog Bharti, Geeta Goswami | C Minor | 8 | 5A | 90 BPM | ||
| Aarji Karina Ke | Karina Pandey | F♯ Major | 5 | 2B | 144 BPM | ||
| Kar Lo Kar Lo Charo Dhaam | Mishra Bandhu | D♭ Minor | 8 | 12A | 92 BPM | ||
| Bahbhi Man Ki Sari | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Khamma Khamma Ma Aashapura | Lalita Ghodadra, Prabhat Barot | G Minor | 4 | 6A | 80 BPM | ||
| Thone Ghadiya Vane Mone Ghadiya | Narayan Jodha | F♯ Major | 7 | 2B | 87 BPM | ||
| Phir Se Ek Baar Haar Aaya Hoon | Rajni Rajasthani | D♭ Minor | 6 | 12A | 102 BPM | ||
| Girdhar Ki Bansi Pyari Ji | Vandana Bhardwaj | E Major | 9 | 12B | 130 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Kabutra O Kabutra | Kamlesh Barot, Gagan Jethva, Prabhat Barot, Bipin Sathiya, Uma Pandya, Rekha Rathod, Nidhi Gholkiya, Jayshree Bhojviya | B♭ Minor | 8 | 3A | 148 BPM | ||
| In Nainan Ko Mohe Bharoso | Hita Ambrish | B Minor | 7 | 10A | 107 BPM | ||
| Ghadvade Mera Shyam | Seema Mishra | D♭ Major | 6 | 3B | 142 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Sahyba Ni Chundadi | Utpal Jivrajani, Hiteshgiri Goswami, Prabhat Barot | B Minor | 7 | 10A | 98 BPM | ||
| Aaya Aaya Bhagat Thaare Dwaar | Gopal Bajaj | A♭ Major | 8 | 4B | 171 BPM | ||
| Sharan Pada Hoon | Rajni Rajasthani | B Major | 6 | 1B | 94 BPM | ||
| Aashapura Ma Na Madhde Mandir | Lalita Ghodadra, Prabhat Barot | A♭ Major | 4 | 4B | 164 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| बॉबी का राज | Aarif Ladpuriya, Rihan Mewati | E Minor | 9 | 9A | 143 BPM | ||
| Aa Darsh Dikhade Mere Shyam | Sanjay Mittal | F Minor | 7 | 4A | 97 BPM | ||
| Angna Padharo | Shahnaaz Akhtar | B Major | 7 | 1B | 78 BPM |