大滝詠一's ' "그건 내가 아니야" was released on its scheduled release date, November 25, 1972. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 오오타키 에이이치, so we believe that "그건 내가 아니야" is a single. In terms of popularity, 그건 내가 아니야 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 그건 내가 아니야 by 大滝詠一 is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 春にして君を想う - 2023 Remaster | Ozawa Kenji | D Major | 2 | 10B | 111 BPM | ||
| いっせーのせっ! | Kazuyoshi Nakamura | B Minor | 6 | 10A | 100 BPM | ||
| Hisamezuki No Sketch | Chu Kosaka | B♭ Major | 5 | 6B | 130 BPM | ||
| マンハッタンブリッヂにたたずんで | NIAGARA TRIANGLE, Motoharu Sano | E Major | 8 | 12B | 134 BPM | ||
| フォーカスラブ | Chu Kosaka | A Major | 3 | 11B | 117 BPM | ||
| ハートじかけのオレンジ (Single Version) | NIAGARA TRIANGLE, 大滝詠一 | F♯ Major | 8 | 2B | 129 BPM | ||
| 通りゃんせ | Kimihiko Sato | G Major | 0 | 9B | 121 BPM | ||
| 満員電車は走る | SOKABE KEIICHI BAND, Keiichi Sokabe | E♭ Major | 6 | 5B | 104 BPM | ||
| A面で恋をして (A Cappella) | NIAGARA TRIANGLE, Motoharu Sano, Masamichi Sugi, 大滝詠一 | E Major | 5 | 12B | 134 BPM | ||
| シュー | RC Succession | A Major | 8 | 11B | 133 BPM | ||
| 下宿屋 | 加川良 | A♭ Major | 2 | 4B | 80 BPM | ||
| 氷雨月のスケッチ | はっぴいえんど | E Minor | 6 | 9A | 142 BPM | ||
| Happy End で始めよう | 大滝詠一 | A Major | 8 | 11B | 156 BPM | ||
| たとえばこんなラヴ・ソング | RC Succession | A Major | 8 | 11B | 112 BPM | ||
| 星影の小径 | ちあきなおみ | B♭ Major | 2 | 6B | 75 BPM | ||
| ブルーズでも歌って | Yoshitaka Minami | F Major | 2 | 7B | 114 BPM | ||
| 泣くだけ泣いたら | Kenichi Hagiwara | A Major | 0 | 11B | 62 BPM | ||
| ひとり旅 | Ayumi Ishida, ティン・パン・アレー | G Major | 5 | 9B | 82 BPM | ||
| 今の時代がいちばんいいよ | KENTA MAENO | F Major | 5 | 7B | 97 BPM | ||
| どうにかなるさ - Cover | Seiji Rokkaku Band, 佐藤良成 | C Major | 5 | 8B | 108 BPM | ||
| 木の葉のスケッチ (Complete EACH TIME SINGLE VOX Version) | 大滝詠一 | D♭ Major | 6 | 3B | 119 BPM | ||
| 紙ヒコーキ | Yumi Arai | E♭ Major | 4 | 5B | 124 BPM | ||
| バレンタイン・デー | Ayumi Ishida, ティン・パン・アレー | D Minor | 3 | 7A | 130 BPM | ||
| 一本道 | 友部 正人 | E Major | 1 | 12B | 117 BPM | ||
| さようなら | Sadistic Mika Band | E♭ Minor | 2 | 2A | 120 BPM |