Matt Dusk's ' "The Way You Look Tonight" was released on its scheduled release date, 2006. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in Back In Town by Matt Dusk. Based on our statistics, The Way You Look Tonight's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Way You Look Tonight by Matt Dusk is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Velvet | Lara Louise | C Major | 2 | 8B | 82 BPM | ||
| My Revelation | Emma Smith | C Minor | 3 | 5A | 82 BPM | ||
| The More I See You | Peter Grant | B♭ Major | 6 | 6B | 125 BPM | ||
| Let's Fall In Love | Ann Hampton Callaway | A♭ Major | 3 | 4B | 137 BPM | ||
| What a Difference a Day Makes | Renee Olstead | C Major | 1 | 8B | 84 BPM | ||
| Mr. Birmingham | Mark Kingswood | G Major | 6 | 9B | 140 BPM | ||
| A Sunday Kind Of Love | Ruth Cameron | C Minor | 2 | 5A | 126 BPM | ||
| My Heart Sings for You | J. Johnson Esposito | E♭ Major | 3 | 5B | 67 BPM | ||
| Mom's eyes | Interlakenpilot | G Minor | 5 | 6A | 93 BPM | ||
| Slow Fuse | Heather Rigdon | G Major | 3 | 9B | 130 BPM | ||
| We've Only Just Begun | Peter Grant | D♭ Major | 4 | 3B | 75 BPM | ||
| I Only Have Eyes for You | John Stevens | B♭ Major | 3 | 6B | 80 BPM | ||
| Never Let Her Slip Away | Yannick Bovy | B Minor | 4 | 10A | 117 BPM | ||
| Love Always Leads Me Home - 1940s Jazz | Jazz Street | E♭ Major | 3 | 5B | 67 BPM | ||
| New York, New York | Matt Dusk, Tom Gaebel | C Major | 7 | 8B | 100 BPM | ||
| New Orleans | Elly Hoyt | D Minor | 3 | 7A | 110 BPM | ||
| Come Fly with Me | John Stevens | B Major | 5 | 1B | 138 BPM | ||
| You Hit the Spot | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A Major | 4 | 11B | 103 BPM | ||
| Guilty | Sophie Milman | F Major | 3 | 7B | 79 BPM | ||
| Case of Blues | Emilie Schiøtt | D Major | 3 | 10B | 188 BPM | ||
| I'll Be A Nobody | Brandon Estrada | A Minor | 2 | 8A | 117 BPM | ||
| Love Began In New York - 1940s American Jazz | The Jazz House | E♭ Major | 3 | 5B | 73 BPM | ||
| Power to Choose | Emilie Schiøtt | A Major | 5 | 11B | 152 BPM | ||
| Won't You Come Out and Play | Bria Skonberg | A Minor | 4 | 8A | 124 BPM | ||
| East of The Sun (and West of The Moon) | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM |