"チェロ・ソナタ『雨の歌』 II. Adagio" by J. ブラームス, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) had its release date on September 24, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in シューベルト:アルペジョーネ・ソナタ, so we believe that "チェロ・ソナタ『雨の歌』 II. Adagio" is a single. チェロ・ソナタ『雨の歌』 II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チェロ・ソナタ『雨の歌』 II. Adagio by J. ブラームス, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Natalia Lomeiko, Dinara Klinton | D Major | 1 | 10B | 101 BPM | ||
| Miške, MKČ 101: IV. Development, a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM | ||
| Franz Schuberts Märsche, S. 426: Grande marche - Excerpt | Franz Liszt, Marc-André Hamelin | D Minor | 0 | 7A | 106 BPM | ||
| Das listige Bauernmädchen: No. 5, Andante con moto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 122 BPM | ||
| Piano Quartet in E Minor, Op. 129: I. Allegro | Ferdinand Ries, Klavierquintett Wien | B Major | 1 | 1B | 113 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Remastered): I. Andante - Allegro molto vivace | Robert Schumann, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 131 BPM | ||
| 調べのように私を通り抜ける | J. ブラームス, 岡崎耕治(ファゴット), 岡崎 悦子 (ピアノ) | C Major | 1 | 8B | 144 BPM | ||
| 弦楽六重奏曲 第2番ト長調 作品36: 第2楽章 Scherzo; Allegro non troppo | J. ブラームス, ストリング・アンサンブル MT, フェデリコ・アゴスティーニ(ヴァイオリン), 中村静香(ヴァイオリン), 店村眞積(ヴィオラ), 村上 淳一郎(ヴィオラ), 上村 昇(チェロ), 山本 裕康(チェロ) | G Major | 1 | 9B | 93 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | A Major | 4 | 11B | 175 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | A Major | 4 | 11B | 175 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Mélodie in A-Flat Major | Louise Farrenc, Joanne Polk | A♭ Major | 1 | 4B | 68 BPM | ||
| String Quintet No. 2 in G Major, Op. 111: III. Un poco allegretto | Johannes Brahms, Gérard Caussé, Hagen Quartett | G Major | 1 | 9B | 97 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Eternal Dreams | Luna Mystic | E Major | 3 | 12B | 164 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Piano Sonata in G Minor: IV. Finale. Presto | Fanny Mendelssohn, Heather Schmidt | G Major | 1 | 9B | 103 BPM | ||
| Piano Sonata Op. 27 No.2 in C Sharp Minor – Sonata quasi una fantasia, “Moonlight Sonata” —Allegretto – Attacca | Lorenzo Luiselli, Beethoven | G Major | 0 | 9B | 104 BPM | ||
| Piano Sonata Op. 81a In in E Flat Major “Die Abwesenheit (L’Absence)”, Andante Espressivo | Lorenzo Luiselli, Beethoven | G Major | 0 | 9B | 104 BPM | ||
| Violin Sonata No. 10 in G Major, Op. 96: I. Allegro moderato | Ludwig van Beethoven, Andrew Wan, Charles Richard-Hamelin | G Major | 0 | 9B | 115 BPM | ||
| Variations on a Rococo Theme, Op. 33: Var. 5 - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | B♭ Minor | 4 | 3A | 93 BPM | ||
| ブルクミュラー25の練習曲: 23. 再会 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM |