Mark Richardson's 'Menace' had a release date set for April 4, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rattle". In this album, this song's track order is #3. Based on our statistics, Menace's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Menace by Mark Richardson having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| Candide / Act II: XXVII. What's the Use | Leonard Bernstein, Christa Ludwig, Nicolai Gedda, John Treleavan, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra | E Minor | 2 | 9A | 183 BPM | ||
| Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus) | Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra | D Major | 3 | 10B | 94 BPM | ||
| Proteus | Mark Richardson | D♭ Major | 9 | 3B | 115 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields | Howard Goodall, Stephen Darlington, London Musici | D Minor | 2 | 7A | 171 BPM | ||
| I puritani, Act II: Vien, diletto, è in ciel la luna | Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 127 BPM | ||
| La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! | Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 86 BPM | ||
| Walpurgis Night: Wolkenzug und Nebelflor (Chorus) | Julius Röntgen, Machteld Baumans, Marcel Beekman, Andre Morsch, Andreas Post, Mark Richardson, Dennis Wilgenhof, Gijs van Schoonhoven, Koor van de Nationale Reisopera, Netherlands Symphony Orchestra, David Porcelijn | B♭ Major | 1 | 6B | 89 BPM | ||
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Gounod: Faust, Act 2: "Vin ou bière, bière ou vin" - "Jeune adepte du tonneau" (Chœur, Wagner) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Oh Lamb Of God, I Come | Christchurch Festival Male Voice Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| Messa da Requiem for Soloists, Chorus and Orchestra: II. Dies Irae: Tuba mirum spargens sonum - Mors stupebit | Giuseppe Verdi, Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra, Ruggero Raimondi | B♭ Major | 2 | 6B | 67 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Hear ye, Israel" - "Thus saith the Lord" - "I am He that comforteth" | Felix Mendelssohn, Renée Fleming, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Major | 0 | 6B | 120 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
| Menace | Mark Richardson | A♭ Minor | 10 | 1A | 145 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Puccini: Turandot, Act 1: "Perché tarda la luna?" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 78 BPM | ||
| Thine Be the Glory | Harmonious Chorale Ghana | D Major | 3 | 10B | 94 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM |