"Piano Concerto in G Minor, Op. 34: III. Vivace" by Ruth Gipps, Murray McLachlan, Royal Liverpool Philharmonic Orchestra, Charles Peebles had its release date on September 20, 2019. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 14 out of 15 in Bright & Gipps: Works for Piano & Orchestra by Royal Liverpool Philharmonic Orchestra, Charles Peebles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Concerto in G Minor, Op. 34: III. Vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Concerto in G Minor, Op. 34: III. Vivace by Ruth Gipps, Murray McLachlan, Royal Liverpool Philharmonic Orchestra, Charles Peebles is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 0 | 5B | 106 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| No. 2, Det forste mode (The First Meeting) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E♭ Major | 0 | 5B | 106 BPM | ||
| The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
| Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | E♭ Major | 0 | 5B | 106 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E♭ Major | 0 | 5B | 106 BPM | ||
| Symphony No. 4, Op. 61: II. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | D♭ Major | 0 | 3B | 74 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| In Summer Woods (Arr. J. Lloyd Webber for 2 cellos and piano) | John Ireland, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | D Major | 1 | 10B | 83 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Masques et bergamasques Suite, Op. 112: III. Gavotte. Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| 6 Épigraphes antiques, L. 131: I. Pour invoquer Pan, du vent d'été | Claude Debussy, Orchestre de la Suisse Romande, Kazushi Yamada | D Minor | 0 | 7A | 93 BPM | ||
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 100 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| The Piper of Dreams, Op. 12b | Ruth Gipps, Juliana Koch | G Minor | 0 | 6A | 69 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 106 BPM |