No. 2, Det forste mode (The First Meeting) [Version for Orchestra] by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset Song Details

"No. 2, Det forste mode (The First Meeting) [Version for Orchestra]" by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset had its release date on October 19, 2025. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "The Essential Grieg". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. No. 2, Det forste mode (The First Meeting) [Version for Orchestra] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With No. 2, Det forste mode (The First Meeting) [Version for Orchestra] by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -24.497 dB
Acousticness: 60%
Danceability: 7%
Energy: 7%
Instrumentalness: 73%
Liveness: 12%
Loudness: 59%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Seasons, Op. 67: X. Barcarolle	Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra	A Major	2	11B	98 BPM
Fauré: Requiem, Op. 48: VII. In Paradisum	Gabriel Fauré, Paavo Järvi, Orchestre de Paris	D Major	0	10B	147 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	B♭ Major	1	6B	128 BPM
Andante Cantabile	Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet	B♭ Major	0	6B	90 BPM
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria	Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin	B♭ Major	0	6B	78 BPM
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	0	11B	136 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance	Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields	D♭ Major	0	3B	97 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Carmen Fantasy, Op. 25: II. Lento assai	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	B♭ Major	8	6B	140 BPM
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	B♭ Major	0	6B	71 BPM
Caprice andalous, Op. 122, R. 207	Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot	G Major	1	9B	75 BPM
Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason	Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso	Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit	D Major	1	10B	110 BPM
Fantasia Gaelach No. 1	Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan	A♭ Major	0	4B	89 BPM
The Seasons, Op. 67: VII. Scene 2, Le Printemps	Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra	E Major	1	12B	81 BPM
The Lark Ascending: II. Allegretto tranquillo, quasi andante	Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor	D Major	1	10B	88 BPM
Pelléas et Mélisande, Op. 80, Suite: I. Prélude	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	134 BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
5 Stücke im Volkston, Op. 102: II. Langsam	Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra	F Major	0	7B	62 BPM
Piano Concerto No.2 in G minor, Op.22: 1. Andante sostenuto	Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit	C Major	3	8B	78 BPM
Ethereal Reverie	Sebastian Verneau	D Major	3	10B	153 BPM
Carnival of the Animals, R. 125: XIII. The Swan (Arr. P. Vidal for Cello & Orchestra)	Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot	G Major	0	9B	181 BPM
Klid (Silent Woods), Op. 68/5	Antonín Dvořák, Jean-Guihen Queyras	D♭ Major	1	3B	75 BPM
Symphony in F Major, R. 163 "Urbs Roma": IV. Poco allegretto	Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot	D♭ Major	1	3B	79 BPM
Roland Furieux: II. Andante tranquillo	Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz	E♭ Major	1	5B	88 BPM