5 Stücke im Volkston, Op. 102: II. Langsam by Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra Song Details

"5 Stücke im Volkston, Op. 102: II. Langsam" by Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra had its release date on December 4, 2015. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. 5 Stücke im Volkston, Op. 102: II. Langsam is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With 5 Stücke im Volkston, Op. 102: II. Langsam by Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 57%
Loudness: -25.087 dB
Acousticness: 98%
Danceability: 7%
Energy: 2%
Instrumentalness: 91%
Liveness: 11%
Loudness: 58%
Speechiness: 5%
Valence: 6%

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