"The City" by Bernard Herrmann had its release date on January 1, 1997. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Psycho (The Complete Original Motion Picture Score)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of The City is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The City by Bernard Herrmann having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | G Major | 4 | 9B | 80 BPM | ||
| The Necklace, The Return And Finale | Bernard Herrmann | E♭ Major | 1 | 5B | 77 BPM | ||
| Royal Connections | Trevor Jones | F Major | 2 | 7B | 74 BPM | ||
| Duo - Bande originale du film "À bout de souffle" | Martial Solal | E♭ Minor | 3 | 2A | 119 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| The Streets | Bernard Herrmann | F Major | 2 | 7B | 66 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| Sally's Death - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Vampire Hunters | Wojciech Kilar | B♭ Major | 1 | 6B | 120 BPM | ||
| Strip Croquet | David Newman | D Minor | 1 | 7A | 90 BPM | ||
| End Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | A♭ Major | 2 | 4B | 83 BPM | ||
| Flight | Bernard Herrmann | B Major | 1 | 1B | 136 BPM | ||
| Tess | Philippe Sarde | A Minor | 2 | 8A | 129 BPM | ||
| Jane Mirror Theme - Originale | Claudio Simonetti, Fabio Pignatelli, Massimo Morante | D Minor | 2 | 7A | 116 BPM | ||
| Mina / Dracula - From 'Bram Stoker's Dracula' | Wojciech Kilar | F Major | 4 | 7B | 109 BPM | ||
| Fahrenheit 451: The Bedroom - From "Fahrenheit 451" | Bernard Herrmann | G Major | 3 | 9B | 174 BPM | ||
| Rear Window Suite: II. Lisa - Intermezzo | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | B♭ Minor | 0 | 3A | 131 BPM | ||
| Phalanx Suite: Epilog | R.Kuhn, Rüdiger Edgar Kuhn | A♭ Major | 4 | 4B | 123 BPM | ||
| Rocky Mountains | Wendy Carlos, Rachel Elkind | E Minor | 2 | 9A | 149 BPM | ||
| Love Theme | Miklós Rózsa | C Minor | 0 | 5A | 87 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Die Ewigen Gärten | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Holy Water (Main Title #1) | Harry Sukman | A Minor | 3 | 8A | 120 BPM |