Catherine Leroux, Karie Richards's 'Chapter 123 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #123. Furthermore, we believe that the track originated from Germany. Based on our statistics, Chapter 123 - The Future's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 123 - The Future by Catherine Leroux, Karie Richards having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seven Nuggets: I. Fire Opal | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Due Tramonti (Arr. for Euphonium & Piano by Anonymous) | Ludovico Einaudi, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Light of Sothis: I. Grace | Amy Quate, Alex Mitchell, Jeremy Limb | C Major | 1 | 8B | 108 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A Minor | 1 | 8A | 78 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| V. Lou Cabridan | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | G Major | 1 | 9B | 150 BPM | ||
| Sonata for alto saxophone and piano: IV. Recitative and Dance | William Albright, Louis-Philippe Bonin, Catherine Leroux | B Major | 1 | 1B | 78 BPM | ||
| Hommage à Manuel de Falla | Bela Kovacs, André Moisan | A Minor | 1 | 8A | 73 BPM | ||
| Suite in the Old Style: I. Pastorale - Arr. for Flugelhorn and Piano by Sergei Nakariakov and Maria Meerovitch | Alfred Schnittke, Sergei Nakariakov, Maria Meerovitch | C Major | 0 | 8B | 84 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 78 BPM | ||
| Seven Nuggets: VI. Emerald, Uncut | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Épitaphe de Jean Harlow | Charles Koechlin, Trio Vivo | F Minor | 1 | 4A | 71 BPM | ||
| Suite bergamasque, L. 75: I. Prelude | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| Youth: IX. Heath | Edmund Finnis, Clare Hammond | D♭ Minor | 0 | 12A | 83 BPM | ||
| Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic | Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta | A Major | 5 | 11B | 118 BPM | ||
| Summertime | Anthony Mcgill | G Minor | 0 | 6A | 135 BPM | ||
| River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | D♭ Major | 2 | 3B | 140 BPM | ||
| 3 Pieces for Piano: No. 2, Caminos del Espejo | Graciela Jiménez, Dora De Marinis | A Major | 0 | 11B | 74 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | A Minor | 1 | 8A | 78 BPM | ||
| Chapter 168 - The Future | Catherine Leroux, Karie Richards | A♭ Minor | 1 | 1A | 75 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | A Minor | 1 | 8A | 78 BPM | ||
| Lux aeterna (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Nadia Boulanger, Danae Dörken, Adrien La Marca | F Major | 0 | 7B | 82 BPM | ||
| Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic Orchestra | F Major | 2 | 7B | 121 BPM |