Silverstein's ' "The Tide Raises Every Ship" was released on its scheduled release date, March 31, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 19 in A Shipwreck In The Sand (Bonus Track Version) by Silverstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Tide Raises Every Ship is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Tide Raises Every Ship by Silverstein is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eris Doesn't Want Precipitate | Know Margaret | B Minor | 7 | 10A | 180 BPM | ||
| Sorry Seacrest It's Casey's Countdown | Burden Of A Day | E♭ Major | 10 | 5B | 125 BPM | ||
| I Don't Feel Very Receptive Today | Underoath | D Minor | 10 | 7A | 95 BPM | ||
| An Endless Serenade | Hopes Die Last | A Major | 3 | 11B | 185 BPM | ||
| The All Star Diaries | A Skylit Drive | G Minor | 9 | 6A | 146 BPM | ||
| Division St. | Thursday | D Minor | 9 | 7A | 165 BPM | ||
| The Second Wrong Makes You Feel Right | From Autumn To Ashes | E Major | 10 | 12B | 100 BPM | ||
| Cross Out The Eyes | Thursday | G Major | 8 | 9B | 80 BPM | ||
| Lastnight's Goodbye | Hopes Die Last | E Minor | 9 | 9A | 98 BPM | ||
| De(v)tails | A Bullet for Pretty Boy | F Minor | 9 | 4A | 175 BPM | ||
| Thanks for Coming (I Like You Dead) | Hopes Die Last | E Minor | 9 | 9A | 98 BPM | ||
| It Must Belong Somewhere | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| House of Leaves | Circa Survive | A♭ Minor | 5 | 1A | 105 BPM | ||
| The Smile That Kills | Burden Of A Day | G Major | 9 | 9B | 138 BPM | ||
| One Day Women Will All Become Monsters | Chiodos | D Minor | 9 | 7A | 100 BPM | ||
| A Green Desire | Dead Poetic | D Major | 9 | 10B | 116 BPM | ||
| Revision Revise | A Bullet for Pretty Boy | F Major | 10 | 7B | 105 BPM | ||
| We Are Not The World | Silverstein | F♯ Minor | 9 | 11A | 169 BPM | ||
| The Risk | Lovehatehero | A♭ Major | 9 | 4B | 188 BPM | ||
| This Photograph Is Proof (I Know You Know) | Taking Back Sunday | G Major | 9 | 9B | 158 BPM | ||
| These Forgotten Ways | Reclaim The Fallen | B♭ Major | 9 | 6B | 125 BPM | ||
| Barracuda Capital Of The World | Versus The Mirror | D Minor | 10 | 7A | 176 BPM | ||
| Holland | Her Words Kill | A Minor | 7 | 8A | 119 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| Drowning You in Fear | Scary Kids Scaring Kids | C Major | 9 | 8B | 160 BPM |