Thursday's 'Division St.' had a release date set for January 1, 2003. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of War All The Time by Thursday. The song's track number on the album is #3 out of 11 tracks. The popularity of Division St. is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Division St. by Thursday has a tempo of 165 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Division St. being at 165 BPM, the half-time would be 82 BPM with a double-time of 330 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alcohol And Alter Boys | Bayside | D Major | 9 | 10B | 100 BPM | ||
| By All Accounts (Today Was A Disaster) | Emery | B♭ Minor | 8 | 3A | 150 BPM | ||
| What The Hell Is Contempt | Reggie And The Full Effect | B Major | 9 | 1B | 103 BPM | ||
| How To Start A Fire | Further Seems Forever | A Major | 9 | 11B | 152 BPM | ||
| Aimless Endeavor | Beloved | A Major | 10 | 11B | 175 BPM | ||
| The Difference Between Medicine And Poison Is In The Dose | Circa Survive | G Minor | 7 | 6A | 148 BPM | ||
| Get Your Head Straight | Boys Night Out | B Minor | 10 | 10A | 169 BPM | ||
| The Libson Girls, Oh The Libson Girls | Fear Before The March Of Flames | D Major | 9 | 10B | 139 BPM | ||
| Delirium Trigger | Coheed and Cambria | D Minor | 7 | 7A | 52 BPM | ||
| Dear Child (I've Been Dying to Reach You) | Anthony Green | E Major | 9 | 12B | 147 BPM | ||
| I Quit My Scene | Name Taken | D Major | 9 | 10B | 109 BPM | ||
| They Looked Like Strong Hands | Bayside | D Major | 5 | 10B | 172 BPM | ||
| I Want To Hear You Sad | The Early November | D♭ Major | 8 | 3B | 93 BPM | ||
| This Is Not A Love Song | The Juliana Theory | B Minor | 9 | 10A | 196 BPM | ||
| Circuits of Fever | Thursday | D♭ Major | 9 | 3B | 87 BPM | ||
| Icarus | Hopesfall | D Minor | 8 | 7A | 77 BPM | ||
| The Rival Cycle | The Receiving End Of Sirens | C Minor | 9 | 5A | 148 BPM | ||
| Spitshine Sonata | The Bled | E♭ Major | 9 | 5B | 165 BPM | ||
| Pens And Needles | Hawthorne Heights | D♭ Minor | 10 | 12A | 161 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| Sentencing | Boys Night Out | B Major | 10 | 1B | 153 BPM | ||
| Greener with the Scenery | The Used | F Major | 9 | 7B | 164 BPM | ||
| Bloody Romance | Senses Fail | E♭ Major | 4 | 5B | 96 BPM | ||
| Cross Out The Eyes | Thursday | G Major | 8 | 9B | 80 BPM | ||
| Bleed and Blister - Version 3 | Moneen | G Major | 10 | 9B | 107 BPM |