"From Here To L.A." by The Early November had its release date on January 1, 2006. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "The Mother, The Mechanic, And The Path". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. From Here To L.A. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Here To L.A. by The Early November having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Do This to Ourselves | Sherwood | D Major | 9 | 10B | 157 BPM | ||
| Dilute | The Honorary Title | G Minor | 2 | 6A | 202 BPM | ||
| Patience, Prudence | 1997 | C Major | 9 | 8B | 152 BPM | ||
| Like A.M. Rdio | Northstar | B Minor | 9 | 10A | 156 BPM | ||
| Something That Produces Results | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| Inspired By The $ | The Starting Line | D♭ Minor | 9 | 12A | 172 BPM | ||
| Slowing Down (Long Time Coming) | Anthony Green | F Major | 8 | 7B | 77 BPM | ||
| Anchor | Into It. Over It. | F♯ Major | 2 | 2B | 116 BPM | ||
| I Was the Devil for One Afternoon | Boys Night Out | E Major | 10 | 12B | 191 BPM | ||
| Run In The Front | Dear and the Headlights | D♭ Major | 5 | 3B | 90 BPM | ||
| A Ghost in Drag | As Tall As Lions | D♭ Major | 8 | 3B | 142 BPM | ||
| Against My Better Judgment | Further Seems Forever | F♯ Major | 9 | 2B | 145 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Let's Go Home | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| Hold Me Down | Motion City Soundtrack | D♭ Major | 9 | 3B | 120 BPM | ||
| Paper, Rock, Scissors | JamisonParker | B Major | 8 | 1B | 135 BPM | ||
| Not Over You Yet | Kevin Devine | E Major | 7 | 12B | 102 BPM | ||
| Whispering | I Can Make A Mess | A Minor | 6 | 8A | 149 BPM | ||
| The End Of A Fraud | Armor For Sleep | D Major | 6 | 10B | 80 BPM | ||
| Sore Thumb | The Format | D♭ Minor | 8 | 12A | 80 BPM | ||
| Revealing Too Much | The Honorary Title | C Major | 5 | 8B | 77 BPM | ||
| Just Until Sundown | Further Seems Forever | B♭ Major | 9 | 6B | 183 BPM | ||
| A Sunday | Jimmy Eat World | D Major | 6 | 10B | 82 BPM | ||
| Give It Up | The Format | B♭ Major | 6 | 6B | 107 BPM |