"Opening Move" by Marc Aaron Jacobs had its release date on December 4, 2017. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Sonic Pulse". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Opening Move is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Opening Move by Marc Aaron Jacobs having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Possibility and Promise | Marc Aaron Jacobs | A Major | 1 | 11B | 120 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Le Chapeau De Carson | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Pollyanna | Oakwood Station | C Major | 2 | 8B | 160 BPM | ||
| RSVP | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Prelude To A Murder | Nathan Klein, F. Keane | A♭ Major | 2 | 4B | 95 BPM | ||
| They Call It Nonsense | Bonn Fields | G Major | 1 | 9B | 172 BPM | ||
| Juliette | Mathieu Lamboley | A Major | 0 | 11B | 120 BPM | ||
| Ada On The Stairs | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Supper at Six | Carlos Rafael Rivera | G Major | 6 | 9B | 90 BPM | ||
| Cage Match | Marc Aaron Jacobs | F Minor | 2 | 4A | 155 BPM | ||
| State Dinner | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Eating the World | Nathan Barr, Dimitri Smith | G Minor | 1 | 6A | 65 BPM | ||
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| History of the Arconia (Framed) | Siddhartha Khosla | D Major | 4 | 10B | 140 BPM | ||
| Earthspan | Paul Mottram | C Minor | 7 | 5A | 140 BPM | ||
| To Witness in Silence | Erasmus Talbot | F Major | 0 | 7B | 138 BPM | ||
| Postlude of Conclave | Volker Bertelmann | D Minor | 5 | 7A | 150 BPM | ||
| Le temps d'une vie | Christophe Julien | D♭ Minor | 0 | 12A | 75 BPM | ||
| Confession | Nathan Klein, F. Keane | D♭ Minor | 1 | 12A | 164 BPM | ||
| Orangerie | Rob | B♭ Minor | 3 | 3A | 100 BPM | ||
| City Dreams | Marc Aaron Jacobs, Michael Sherwood | D Major | 6 | 10B | 130 BPM | ||
| Adventure Is Everywhere | Fritz Doddy, Marc Aaron Jacobs | A Major | 4 | 11B | 158 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM |