"Romeo e Giulietta, Act IV Scene 2: O sacra notte (Romeo) - Scene 3: Romeo! [Giulietta, Romeo]" by Filippo Marchetti, Mario Cassi, Serena Daolio, Giovanni Coletta, Dario Solari, Roberto Iuliano, Emil Zhelev, Andrea Mastroni, Tiziana Portoghese, Eugen Gaal, Bratislava Chamber Choir, Orchestra Internazionale D'Italia, Andriy Yurkevych had its release date on January 1, 2000. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Filippo Marchetti, Roberto Iuliano, Andriy Yurkevych, Orchestra Internazionale D'Italia's "Marchetti: Romeo E Giulietta" album is number 16 out of 35. On top of that, Italy appears to be the country where this track was created. Romeo e Giulietta, Act IV Scene 2: O sacra notte (Romeo) - Scene 3: Romeo! [Giulietta, Romeo] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo e Giulietta, Act IV Scene 2: O sacra notte (Romeo) - Scene 3: Romeo! [Giulietta, Romeo] by Filippo Marchetti, Mario Cassi, Serena Daolio, Giovanni Coletta, Dario Solari, Roberto Iuliano, Emil Zhelev, Andrea Mastroni, Tiziana Portoghese, Eugen Gaal, Bratislava Chamber Choir, Orchestra Internazionale D'Italia, Andriy Yurkevych to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mandulinata a mare | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 2 | 11B | 89 BPM | ||
| Ruy Blas: Grazie signor! – O dolce volutta | Filippo Marchetti, Bernardo De Muro, Margaret Roggero | B♭ Major | 2 | 6B | 84 BPM | ||
| Méhul: Chant du départ | Étienne Nicolas Méhul, Michel Plasson, Françoise Pollet, Ghyslaine Raphanel, Tibère Raffalli, Alain Chilemme, Marcel Vanaud, Thomas Lefebvre, Choeur Du Capitole De Toulouse, Jean-Philippe Courtis, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 126 BPM | ||
| Linda di Chamonix: O luce di quest' anima | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 2 | 7B | 114 BPM | ||
| Chorus of the Hebrew Slaves (from Nabucco, Act III) (1842) | Giuseppe Verdi, Chorus of the Sofia National Opera, Sofia Philharmonic Orchestra, Rouslan Raychev | B Major | 1 | 1B | 84 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| La Traviata: "Libiamo Libiamo" | Enrico Caruso | B♭ Major | 3 | 6B | 103 BPM | ||
| Marechiaro | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| For You I Sing (Live) | Junyi Tan, Shen Yun Symphony Orchestra, D.F., Min Jiang, William Kuo | E♭ Major | 3 | 5B | 146 BPM | ||
| Bellini: I puritani: "Il rito augusto si compia senza me" (Valton, Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Ernani / Part 1: Preludio | Giuseppe Verdi, Orchestra of the Welsh National Opera, Richard Bonynge | D Major | 2 | 10B | 84 BPM | ||
| Lost in This World | Shen Yun Symphony Orchestra | E Minor | 3 | 9A | 112 BPM | ||
| Los pescadores de perlas: "Mi par d'udir ancora" | Georges Bizet, Alfredo Kraus, Jose Luis Lloret, Antonio Iges, Orquesta Sinfonica | A Minor | 1 | 8A | 83 BPM | ||
| Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Dritter Akt: Tausend kleine Engel singen (Sylva - Stasi - Edwin - Boni) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | D Major | 2 | 10B | 80 BPM | ||
| Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
| Wagner: Tristano ed Isotta, Act 3: Morte d'amore. "Dolce e calmo" (Isotta) | Richard Wagner, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B Major | 3 | 1B | 74 BPM | ||
| Duda | Ricardo García De Arellano, Sociedad Camerista de México | E♭ Major | 1 | 5B | 77 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | E Minor | 2 | 9A | 165 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Bellini: I puritani: "Suon d'araldi" (Riccardo, Giorgio, Coro, Elvira, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 2: "Villes entourées" - "Jam nox stellata velamina pandit" (Chœur, Faust, Méphistophélès) | Hector Berlioz, Kent Nagano, Chœur de l’Opéra de Lyon, José van Dam, Thomas Moser, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 113 BPM |