Philippe Sarde's 'Soirée (Mozart)' had a release date set for 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philippe Sarde's "Les Choses De La Vie (Original Motion Picture Soundtrack)" album is number 5 out of 13. On top of that, Italy appears to be the country where this track was created. Soirée (Mozart) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Soirée (Mozart) by Philippe Sarde to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude #4 in G, OP 28 | Jack Nitzsche | A Minor | 1 | 8A | 146 BPM | ||
| Adagio for Strings - From "Platoon" | Orchestre Filmharmonique, Francis Choinière | D Minor | 3 | 7A | 168 BPM | ||
| Cosas De La Batalla | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| La lettre de Rosalie | Philippe Sarde, Scott Tony | F Minor | 1 | 4A | 138 BPM | ||
| 魔王 | Hideakira Kimura | G Minor | 2 | 6A | 159 BPM | ||
| Under Milk Wood Overture: III. Waldo's Song | George Martin, Andy Leek, Berlin Music Ensemble, Craig Leon | A Major | 2 | 11B | 143 BPM | ||
| Sound for a Child (From "La svergognata") | Berto Pisano | G Minor | 3 | 6A | 98 BPM | ||
| Flying Over Africa | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Il pentito #1 | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Sissi's Anxiety | Pino Donaggio | D♭ Major | 1 | 3B | 125 BPM | ||
| Gran Ball In Venice | Pino Donaggio | E♭ Major | 2 | 5B | 177 BPM | ||
| Family Apartment | Marios Takoushis | G Minor | 2 | 6A | 159 BPM | ||
| Sensuality | Roy Ricardo, Ricc Roy | F Major | 2 | 7B | 83 BPM | ||
| Radiant Moments | Veridia | G Minor | 2 | 6A | 159 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| Tema di Penny e Baby | Luis Bacalov | D♭ Minor | 1 | 12A | 79 BPM | ||
| Noon Without Direction | Roven Sil | G Minor | 2 | 6A | 159 BPM | ||
| Capri | Georges Delerue | D Major | 2 | 10B | 77 BPM | ||
| Sur un marché persan | The London Promenade Orchestra, Stanley Myers | F Major | 2 | 7B | 109 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| Locura Atractiva | Sirenas Celestiales | A Major | 1 | 11B | 109 BPM | ||
| Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
| Dream | Pino Donaggio | G Minor | 2 | 6A | 140 BPM |