Rabindranath Tagore's 'Eso Hey Baishakh - Instrumental' had a release date set for December 2, 2006. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Tagores in Symphony the Seasons of India". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Eso Hey Baishakh - Instrumental's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eso Hey Baishakh - Instrumental by Rabindranath Tagore having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhalo Koira Bajan Go Dotara | Nirmalendu Chowdhury | C Major | 3 | 8B | 129 BPM | ||
| Sokatore | Sharana Sengupta, Palashi Ghose, Utsa Biswas, Soumita Ghosh, Shabnam Parvin | D Major | 4 | 10B | 148 BPM | ||
| Megher Kole Rod Hesechhe | Nilanjana Bagchi | E♭ Minor | 6 | 2A | 119 BPM | ||
| Jaat Gelo Jaat Gelo Bole | Joy Shahriar, Parvej Sazzad | D Major | 6 | 10B | 156 BPM | ||
| Bhador Ashin Mase | Surojit Chatterjee(Bhoomi) | F Major | 4 | 7B | 116 BPM | ||
| Tumi Robe Nirobe | Shubhayu Sen Majumdar | E Major | 1 | 12B | 128 BPM | ||
| Mon Re Krishikaj | Anirban Sur | B Minor | 6 | 10A | 95 BPM | ||
| Khelicho A Biswaloye | Aditi Munshi | B Major | 4 | 1B | 120 BPM | ||
| Shunya E Buke Pakhi Mor | Akhil Bandhu Ghosh | E♭ Minor | 1 | 2A | 146 BPM | ||
| Bondhu Bine Pran Bache Na | Aditi Chakraborty | B♭ Major | 4 | 6B | 138 BPM | ||
| Gahanakusumkunja Majhe | Pousali Banerjee | B Major | 4 | 1B | 166 BPM | ||
| Tumi Kon Kananer Ful | Mita Chatterjee, Rabindranath Tagore | A♭ Major | 2 | 4B | 109 BPM | ||
| Amar Mukti Aloe Aloe | Joy Bhattacharya, Avik Mukherjee, Deep Chakraborty, Arijit Chakraborty | C Major | 5 | 8B | 84 BPM | ||
| Dhonno Dhonno Boli Tare | Borno Chakroborty, Mariom Maria | A Major | 3 | 11B | 165 BPM | ||
| Katoi Ranga Dekhi Duniyay | Amar Paul | C Major | 2 | 8B | 83 BPM | ||
| Bodhu Kon Aalo | Jayati Chakrahborty | G Major | 3 | 9B | 81 BPM | ||
| Je Tore Pagol Bole | Swapan Basu | F♯ Major | 3 | 2B | 114 BPM | ||
| Valobeshe Sokhi | Rabindranath Tagore, Arijit | D Major | 4 | 10B | 130 BPM | ||
| Badal Diner - Instrumental | Rabindranath Tagore | G Major | 2 | 9B | 132 BPM | ||
| O Je Mane Na Mane | Aratrika Bhattacharya, Rabindranath Tagore | C Major | 5 | 8B | 144 BPM | ||
| Shokhi Bhabona | Srabani Sen | A♭ Major | 6 | 4B | 154 BPM | ||
| Bhalobeshe Shokhi | Debanjana Karmakar, Rabindranath Tagore | C Major | 2 | 8B | 129 BPM | ||
| Ghum Ghum Chand Jhikimiki Tara | Sandhya Mukherjee | C Major | 1 | 8B | 112 BPM | ||
| Maharaj Eki Saje | Sahana Bajpaie | A Minor | 9 | 8A | 118 BPM | ||
| Barandaye Roddur | Bhoomi | D Minor | 7 | 7A | 128 BPM |