- BPM
- 68
- Key
- A Major
- Camelot
- 11B
Fallen Angels: VII. Interlude by Gregg Smith, Eileen Clark, Thomas Schmidt, Evan Ziporyn Song Details
"Fallen Angels: VII. Interlude" by Gregg Smith, Eileen Clark, Thomas Schmidt, Evan Ziporyn had its release date on October 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 20 in Delicious Numbers by Gregg Smith, Eileen Clark. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fallen Angels: VII. Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Fallen Angels: VII. Interlude by Gregg Smith, Eileen Clark, Thomas Schmidt, Evan Ziporyn is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.13 dB
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vers im Wind | Athesinus Consort Berlin, Klaus-Martin Bresgott, Stefan Quirin Drexlmeier, Katja Kunze, Stephan M. Gähler, Heike O. Scheel | F Major | 0 | 7B | 95 BPM | |
 | Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | |
 | Wake, Awake, for Night Is Flying | The Concordia Choir, René Clausen | C Major | 2 | 8B | 83 BPM | |
 | The Celestial Country: I. Prelude, Trio and Chorus - 2024 Remastered Version | Charles Ives, Gregg Smith, Gregg Smith Singers, Columbia Chamber Orchestra | E♭ Major | 1 | 5B | 77 BPM | |
 | In Dulci Jubilo | Edmund Najera, Gregg Smith Singers, Gregg Smith, Brooklyn Philharmonia Orchestra | B♭ Major | 1 | 6B | 70 BPM | |
 | Letters from Paris: No. 3, Summer | Ned Rorem, Gregg Smith Singers, Adirondack Chamber Orchestra, Gregg Smith | G Minor | 1 | 6A | 84 BPM | |
 | Jazz Mass for Saint Peter's: II. Credo | Gregg Smith, Rosalind Rees, Fay Kittelson, Bruce Gifford, Walter Richardson, James Sullivan, Wayne Wright, John Carbone, Michael Levanson | D♭ Major | 2 | 3B | 121 BPM | |
 | Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | |
 | Maria matrem virginem | St. Patrick Orthodox Church Choir | D Major | 0 | 10B | 164 BPM | |
 | Holy Sonnets: No. 1, La corona | Louise Talma, Gregg Smith Singers, Gregg Smith | A♭ Major | 1 | 4B | 76 BPM | |
 | Les Noces (1923): Part I, Scene 1: Chez le mariée "Kosal moya ko" | Igor Stravinsky, Robert Craft, Mildred Allen, Adrienne Albert, Jack Litten, William Metcalf, Columbia Percussion Ensemble, Gregg Smith Singers, The Ithaca College Concert Choir, Gregg Smith | E Major | 2 | 12B | 132 BPM | |
 | My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | |
 | Our Father | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | |
 | Three Settings from the Bay Psalm Book - with piano: My Heart's Not Haughty, Lord - Psalm 131 | Jack Beeson, Gregg Smith Singers, Susan Walters, Gregg Smith | F Major | 0 | 7B | 88 BPM | |
 | The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | |
 | In Praise of Singing | Gregg Smith Singers | F Minor | 1 | 4A | 96 BPM | |
 | Beata es, virgo Maria - Voice | Giovanni Gabrieli, Gregg Smith Singers, Gregg Smith, George Bragg, The Texas Boys Choir, Gabrieli, E. Power Biggs | B♭ Major | 1 | 6B | 132 BPM | |
 | The White House Chair | Stephen Foster, Gregg Smith Singers, Gregg Smith | C Major | 3 | 8B | 108 BPM | |
 | Care for Us, O God of Grace SHZ 377 | Laestadian Lutheran Church, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | |
 | Evensong Mvt. 1 | Evan Byler, Rachael Lofgren, Cantate Domino, Seth Bergey | E♭ Major | 1 | 5B | 135 BPM | |
 | Mass in D Major, Op. 86: IV. Sanctus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | |
 | Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | |
 | Hour-Glass: I. O know to end as to begin | Irving Fine, Gregg Smith Singers, Gregg Smith | D Major | 2 | 10B | 147 BPM | |
 | Verbum caro factum est | Laudesi Umbri, Padre Antonio Giannoni | E♭ Major | 1 | 5B | 95 BPM | |
 | Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM |
- ISRC
- USAB11664516
- Label
- L-M Records/RCA Records