Hour-Glass: I. O know to end as to begin by Irving Fine, Gregg Smith Singers, Gregg Smith Song Details

Irving Fine, Gregg Smith Singers, Gregg Smith's 'Hour-Glass: I. O know to end as to begin' had a release date set for January 1, 1992. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hour-Glass: I. O know to end as to begin's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Irving Fine, Gregg Smith Singers, Gregg Smith's "Irving Fine: Chamber and Vocal Works" album is number 1 out of 25. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hour-Glass: I. O know to end as to begin's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Hour-Glass: I. O know to end as to begin by Irving Fine, Gregg Smith Singers, Gregg Smith to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.888 dB
Acousticness: 96%
Danceability: 43%
Energy: 24%
Instrumentalness: 90%
Liveness: 10%
Loudness: 69%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI	Saverio Mercadante, Claudio Ferrarini	D Minor	2	7A	142 BPM
The Hour Glass: No. 2, Have You Seen the While Lilly Grow	Irving Fine, Dale Warland Singers, Dale Warland	C Major	0	8B	127 BPM
Partita: I. Introduction and Theme	Irving Fine, The Reykjavik Wind Quintet	G Major	1	9B	110 BPM
Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio	Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen	G Major	1	9B	101 BPM
Ciudadano Sombra: I. - Live Concert	Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos	G Major	1	9B	94 BPM
Violin Concerto in D Major, Op. 35: II. Romanze. Andante	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	G Major	0	9B	86 BPM
Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt	Franz Liszt, György Cziffra	A♭ Major	0	4B	136 BPM
Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II	Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen	E♭ Major	0	5B	174 BPM
Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso	Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias	G Major	1	9B	87 BPM
Pulcinella, K 034: IX. Finale	Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons	C Minor	0	5A	77 BPM
Ma mère l'Oye, M. 62: VII. Apothéose. Le jardin féerique	Maurice Ravel, Orchestre National De France, Cristian Măcelaru	D♭ Minor	3	12A	172 BPM
A Child of our Time, Part I: The world turns on its dark side (Chorus)	Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis	E Minor	0	9A	64 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto	Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra	F Major	1	7B	60 BPM
Neon Waves	Lumi Risto	D Major	1	10B	130 BPM
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto	Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini	A♭ Major	4	4B	103 BPM
Empty Abyss	Orithia	A Minor	0	8A	76 BPM
Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke	Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck	D Major	1	10B	56 BPM
Partita for Woodwind Quintet: Variation	Irving Fine, Lieurance Woodwind Quintet	B♭ Major	1	6B	115 BPM
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	B♭ Minor	1	3A	158 BPM
Jūra, MKČ 102: IV. Development, Storm	Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla	A Minor	0	8A	85 BPM
Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale	Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus	D Minor	2	7A	142 BPM
Barcarolle No. 12, Op. 106 bis	Gabriel Fauré, Louis Lortie	E♭ Major	0	5B	107 BPM
Notturno for Strings and Harp: Lento	Irving Fine, Gerard Schwarz, New York Chamber Symphony	D♭ Major	1	3B	78 BPM
Max Bruch Romanze Op.85	Christian Yoo	F Major	1	7B	140 BPM
Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou	Nikolas Eleftheriou	F♯ Minor	1	11A	67 BPM