"Partita: I. Introduction and Theme" by Irving Fine, The Reykjavik Wind Quintet had its release date on May 1, 1993. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Partita: I. Introduction and Theme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Barber: Summer Music - Beach: Pastorale and Other American Works by The Reykjavik Wind Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Partita: I. Introduction and Theme is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Partita: I. Introduction and Theme by Irving Fine, The Reykjavik Wind Quintet is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Silent Tears | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | C Major | 1 | 8B | 136 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 1 | 8B | 136 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | C Major | 1 | 8B | 136 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | C Major | 1 | 8B | 136 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Britten: Quartettino: II. Poco adagio ma con moto | Benjamin Britten, Endellion String Quartet | C Major | 1 | 8B | 136 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | C Major | 1 | 8B | 136 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Music for Piano: IV. Interlude-Finale | Irving Fine, Michael Boriskin | C Minor | 2 | 5A | 106 BPM | ||
| Music for Piano: II. Waltz-Gavotte | Irving Fine, Michael Boriskin | A♭ Major | 0 | 4B | 72 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| String Quartet No. 1 in G Minor: I. Allegro moderato | Ralph Vaughan Williams, Medici String Quartet | C Major | 1 | 8B | 66 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | D Major | 2 | 10B | 101 BPM | ||
| Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33, R. 193: III. Allegro non troppo | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM |