String Quartet No. 1 in G Minor: I. Allegro moderato by Ralph Vaughan Williams, Medici String Quartet Song Details

"String Quartet No. 1 in G Minor: I. Allegro moderato" by Ralph Vaughan Williams, Medici String Quartet had its release date on January 1, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: The String Quartets & Phantasy Quintet by Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones. The song's track number on the album is #5 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. String Quartet No. 1 in G Minor: I. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since String Quartet No. 1 in G Minor: I. Allegro moderato by Ralph Vaughan Williams, Medici String Quartet has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With String Quartet No. 1 in G Minor: I. Allegro moderato being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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Popularity: 11%
Loudness: -22.863 dB
Acousticness: 96%
Danceability: 10%
Energy: 6%
Instrumentalness: 36%
Liveness: 26%
Loudness: 62%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental	Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon	G Major	1	9B	112 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
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II. Adagio non troppo	George Butterworth, BBC National Orchestra Of Wales, Kriss Russman	F Major	1	7B	78 BPM
Suite No. 2, P. 138: IV. Bergamasca: Allegro	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	1	10B	86 BPM
Belshazzar's Feast, JS 48: Prelude. Nocturno	Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam	G Major	2	9B	98 BPM
Enigma Variations: Nimrod	London Philharmonic Orchestra	E♭ Major	1	5B	68 BPM
The Moldau (From Má Vlast), JB 1:112 - Version 1960	Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay	E Minor	2	9A	87 BPM
2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	E Minor	0	9A	79 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	104 BPM
Appalachian Spring: II. Allegro	Aaron Copland, Leonard Bernstein, New York Philharmonic	F Major	4	7B	82 BPM
Introit, Op. 6	Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon	F Major	1	7B	96 BPM
Walton: Henry V: Passacaglia "The Death of Falstaff"	William Walton, Douglas Boyd, Chamber Orchestra of Europe	E Minor	0	9A	86 BPM
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green	E Major	1	12B	82 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden	D Major	0	10B	93 BPM
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo	Henry Litolff, San Francisco Symphony, Michael Tilson Thomas	D Minor	3	7A	122 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Sicilienne, Op. 78 (arr. for flute and harp)	Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman	B♭ Major	1	6B	153 BPM
Five Variants of ‘Dives and Lazarus’	Ralph Vaughan Williams, Hallé, Sir Mark Elder	B Minor	1	10A	71 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM