"The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter" by Carl Nielsen, Rune Most, Lovisa Wennesz had its release date on July 10, 2020. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Nielsen: The Mother, Op. 41, FS 94". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Denmark. In terms of popularity, The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter by Carl Nielsen, Rune Most, Lovisa Wennesz having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Frosoblomster (Froso-Flowers), Book 1, Op. 16: No. 4. Till rosorno (To the Roses) | Wilhelm Peterson-Berger, Niklas Sivelov | A♭ Major | 0 | 4B | 81 BPM | ||
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| Lieder ohne Worte II, Op. 30: VI. Venetian Gondola Song. Allegretto, MWV U110 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | D Major | 1 | 10B | 78 BPM | ||
| La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 86 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: IV. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | G Major | 1 | 9B | 124 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| À Chloris (Transc. Mayer for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | ||
| Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| 12 Concerti et sinphonie, Op. 1, Symphony No. 5 in F Major: II. Adagio | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Major | 0 | 2B | 96 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Harp Concerto in E-Flat Major, Op. 74: I. Allegro moderato | Reinhold Glière, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 0 | 9A | 103 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
| Symphony No. 1 in G Minor, Op. 7: IV. Allegro con fuoco | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 130 BPM | ||
| 5 Pieces for 2 Violins & Piano (After D. Shostakovich): No. 1, Prelude | Lev Atovmyan, Rudens Turku, Lena Neudauer, Yumiko Urabe | D Minor | 1 | 7A | 119 BPM | ||
| Violin Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Eszter Perényi, Ilona Prunyi | A♭ Minor | 1 | 1A | 78 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM |