Gottlieb Muffat, Mitzi Meyerson's 'Suite No. 5 in D Minor, R. 118-125: I. Overture: Vivace, R. 118' had a release date set for January 1, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 1 out of 51. On top of that, Spain appears to be the country where this track was created. Suite No. 5 in D Minor, R. 118-125: I. Overture: Vivace, R. 118 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 5 in D Minor, R. 118-125: I. Overture: Vivace, R. 118 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata a 4 in A minor - Largo - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Minor | 2 | 1A | 128 BPM | ||
| Aria IV: [Siciliana] | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | E♭ Minor | 1 | 2A | 76 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 0 | 4B | 81 BPM | ||
| Partita in A Minor, FbWV 630: III. Sarabande | Marcin Świątkiewicz | A♭ Minor | 2 | 1A | 165 BPM | ||
| Concerto for 2 Violins and Cello in D Minor, RV 565, Op. 3 No. 11: III. Allegro | Antonio Vivaldi, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| 6 Flute Sonatas, Op. 2, Sonata No. 4: II. Allemanda - Allegro | Michel Blavet, Jed Wentz, Musica ad Rhenum | D♭ Major | 0 | 3B | 138 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | B Minor | 3 | 10A | 145 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Allegro assai | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 4 | 2B | 116 BPM | ||
| 12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 1. A tempo giusto | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | F♯ Major | 1 | 2B | 77 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: I. Allemande. Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Essercizii Musici, Solo 11, E minor, TWV41: e 6 (ob/rec): I. Largo | Han De Vries, Wouter Moeller | E♭ Minor | 1 | 2A | 74 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Suite in E Minor: VII. Gigue | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| Concerto for Solo Keyboard No. 1 in D Major, BWV 972 (After Vivaldi, RV 230): II. Larghetto | Johann Sebastian Bach, Trevor Pinnock | D♭ Major | 2 | 3B | 120 BPM | ||
| Suite No. 5 in D Minor, R. 118-125: III. Courante, R. 120 | Gottlieb Muffat, Mitzi Meyerson | A Major | 3 | 11B | 117 BPM | ||
| Suite In G Minor (Suite En Sol Mineur): Fantaisie | Marin Marais | F♯ Minor | 1 | 11A | 165 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Componimenti musicali per il cembalo, Suite II in G Minor: III. Courante | Gottlieb Muffat, Alexandra Nepomnyashchaya | B Major | 4 | 1B | 108 BPM | ||
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo | Benedetto Marcello, Roberto Loreggian | A♭ Major | 3 | 4B | 88 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
| Componimenti musicali per il cembalo, Suite I in C Major: VI. Menuet & Trio | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM |