Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 5 in D Minor, R. 118-125: III. Courante, R. 120" was released on its scheduled release date, January 1, 2009. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Suite No. 5 in D Minor, R. 118-125: III. Courante, R. 120's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 3 out of 51. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Suite No. 5 in D Minor, R. 118-125: III. Courante, R. 120 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite No. 5 in D Minor, R. 118-125: III. Courante, R. 120 by Gottlieb Muffat, Mitzi Meyerson to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata in G Minor, No. 5: IV. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 75 BPM | ||
| Premier livre: Rondeau en ré mineur | Jacques Duphly, Christophe Rousset | D♭ Minor | 4 | 12A | 90 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: IiI. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 86 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Couperin, L: Suite en si: III. Courante, G. 116 | Louis Couperin, Jean Rondeau | C Minor | 2 | 5A | 138 BPM | ||
| Trio Sonata in A Minor, BuxWV 254: VI. Presto - VII. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
| Aria IV: Allegro | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | F♯ Minor | 4 | 11A | 132 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau, Thomas Dunford | B Minor | 1 | 10A | 83 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| III. Largo | Francesco Barsanti, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | ||
| Scarlatti, D: Keyboard Sonata in G Minor, Kk. 4 | Domenico Scarlatti, Scott Ross | A♭ Major | 4 | 4B | 145 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro | George Frideric Handel, Lisa Beznosiuk, Paul Nicholson, Richard Tunnicliffe | F♯ Major | 1 | 2B | 129 BPM | ||
| Suite No. 2 in G Minor, R. 93-100: VII. Fantaisie, R. 99 | Gottlieb Muffat, Mitzi Meyerson | D♭ Minor | 3 | 12A | 95 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| Pièces de Clavecin in G minor: 9. Gigue de Lully | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Suite in A minor, for Recorder, Strings & Continuo, TWV 55:a2: Passepied I-II | Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | A Minor | 0 | 8A | 108 BPM | ||
| Componimenti musicali per il cembalo, Suite I in C Major: II. Allemande. Affettuoso | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM | ||
| Suite in D Minor, MC B2: II. Allemande | Gottlieb Muffat, Naoko Akutagawa | D♭ Minor | 2 | 12A | 80 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 113 BPM | ||
| Missa "Trinitas in unitate veneranda", WerW B.1 (III/14): I. Kyrie Eleison | Gregor Joseph Werner, Magdalene Harer, Alex Potter, Hans-Jörg Mammel, Anton Haupt, La Festa Musicale, Anne Marie Harer | B Major | 3 | 1B | 78 BPM |