On October 1, 1995, the song "Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro" was released by George Frideric Handel, Lisa Beznosiuk, Paul Nicholson, Richard Tunnicliffe. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Richard Tunnicliffe, Paul Nicholson's "Handel: 20 Sonatas, Op. 1" album is number 5 out of 86. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro by George Frideric Handel, Lisa Beznosiuk, Paul Nicholson, Richard Tunnicliffe to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in C Minor, J-C 9: II. Affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Flute Concerto in G Major, RV 436: I. Allegro | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | F♯ Major | 0 | 2B | 69 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Couperin, L: Suite en sol: IV. Sarabande, G. 97 | Louis Couperin, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Noëls sur les instruments, H. 534: No. 6, Une jeune pucelle | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 2 | 5A | 83 BPM | ||
| Couperin, L: Suite en la: VII. Sarabande, G. 23 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
| Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | ||
| Sonata in B Minor, Op. 4 No. 6: IV. Allegro | Tomaso Albinoni, The Locatelli Trio | F♯ Minor | 1 | 11A | 95 BPM | ||
| Pourquoy, Doux Rossignol | Jean-Baptiste de Bousset, László Rózsa, Jonathan Rees, Alex McCartney | F Major | 1 | 7B | 131 BPM | ||
| Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Concerto grosso in B-Flat Major, Op. 1 No.3: I. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 1 | 11B | 120 BPM | ||
| Flute Concerto in F Major, RV 434, Op. 10 No. 5: II. Largo e cantabile | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 87 BPM | ||
| Mensa sonora / PARS II (In F Major): 3. Sarabanda (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 100 BPM | ||
| Sonata in D Minor, Op. 4 No. 1: III. Largo | Tomaso Albinoni, The Locatelli Trio | A♭ Major | 3 | 4B | 101 BPM | ||
| Symphony in C Major, H. 649, Wq. 174: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | B♭ Minor | 1 | 3A | 112 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: I. Grave-Adagio | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 1 | 2B | 99 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 6 in E major: IV. Affettuoso | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 1 | 5B | 68 BPM | ||
| Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | ||
| Rameau: Les Boréades, Act 4: Air pour les saisons et les zéphirs | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D Major | 3 | 10B | 111 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM |