George Frideric Handel, Academy of Ancient Music, Richard Egarr's ' "Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo" was released on its scheduled release date, October 13, 2009. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Academy of Ancient Music, Richard Egarr's "Handel: Trio Sonatas, Op.2 & Op. 5" album is number 7 out of 62. On top of that, United States appears to be the country where this track was created. In terms of popularity, Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo by George Frideric Handel, Academy of Ancient Music, Richard Egarr to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| Violin Sonata in E-flat Major: II. Adagio moderato | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 2 | 2B | 108 BPM | ||
| Concerto grosso No. 1 in A Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 0 | 3B | 79 BPM | ||
| Symphony No. 5 in C Major: I. Andante - | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 123 BPM | ||
| Suite in G Minor, BWV 1070: IV. Menuetto alternativo - Trio | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 0 | 2B | 170 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Concerto in G Major, S. 215: I. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F Minor | 3 | 4A | 136 BPM | ||
| Concerto grosso No. 5 in D Minor: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: IV. Adagio | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | F Minor | 1 | 4A | 81 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 101 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM | ||
| Concerto a due Cori No. 1 in B-Flat Major, HWV 332: III. Largo | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | E Major | 3 | 12B | 178 BPM |