"Concerto In A Major, Op.12, No.1: 1. Largo" by Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel had its release date on January 1, 1983. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 20 in French Baroque Concertos by Musica Antiqua Köln, Reinhard Goebel. In terms of popularity, Concerto In A Major, Op.12, No.1: 1. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto In A Major, Op.12, No.1: 1. Largo by Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
| Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 0 | 2B | 174 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: III. Grave | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 2 | 2B | 122 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Violin Sonata No. 5 in E Minor, C. 142: II. Variatio - Allegro | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E♭ Minor | 0 | 2A | 115 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| I. Largo | Jean-Baptiste Quentin, Nevermind | E Minor | 1 | 9A | 130 BPM | ||
| Concerto Armonico No. 4 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Rosary Sonata No. 2 in A Major "Mariæ Heimsuchung": I. Sonata | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | B Major | 1 | 1B | 72 BPM | ||
| Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | ||
| Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
| Concerto for 2 Violins and Cello in D Minor, RV 565, Op. 3 No. 11: III. Allegro | Antonio Vivaldi, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Leclair: Violin Concerto in C Major, Op. 7 No. 3: II. Adagio | Jean-Marie Leclair, Jaap Schröder, Concerto Amsterdam | B Major | 1 | 1B | 72 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Concerto for Strings and Solo Violin in G Minor, RV 155: III. Largo | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | E♭ Major | 0 | 5B | 94 BPM | ||
| Let God Arise, HWV 256a: I. Symphony. Larghetto - Allegro ma non presto | George Frideric Handel, Arcangelo, Jonathan Cohen | A Major | 5 | 11B | 105 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Ensemble by Robin Pharo and Jean Rondeau): Var. VIII a 2 Clav. | Johann Sebastian Bach, Nevermind | F♯ Major | 1 | 2B | 129 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Concerto in G major Seibel 215: 4. Allegro - 2/4 | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 162 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| Concerto grosso in F Major Op. 6, No. 2: III. Grave – Andante Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM |