"The Anthem - This Is The Day Which The Lord Hath Made" by John Rutter, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, Robert Quinney had its release date on January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Royal Wedding – The Official Album". In this album, this song's track order is #11. In terms of popularity, The Anthem - This Is The Day Which The Lord Hath Made is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Anthem - This Is The Day Which The Lord Hath Made by John Rutter, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, Robert Quinney having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Mater, Maria gratiae, Op. 47 No. 2 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Lead, Kindly Light | John Rutter, The Cambridge Singers | D Major | 1 | 10B | 166 BPM | ||
| Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
| Whitacre: Five Hebrew Love Songs: Rakút (Tenderness) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 92 BPM | ||
| The Lute Carol (arr. W. Tortolano and L. MacTaggart for harp and choir) | William Ballet, Eric Sabatino, The United States Air Force Singing Sergeants, Lowell Graham | F Major | 4 | 7B | 118 BPM | ||
| Loving Shepherd of Thy Sheep | John Rutter, The Cambridge Singers, Caroline Ashton | A Major | 3 | 11B | 98 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
| Sancta Maria | Sjaella | F♯ Minor | 1 | 11A | 109 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen" | Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor | E♭ Major | 1 | 5B | 66 BPM | ||
| Ave verum, Op. 65 No. 1 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| God So Loved the World | John Stainer, Choir of St. John's College, Cambridge, Andrew Nethsingha | D Major | 1 | 10B | 81 BPM | ||
| Amazing Grace | Ēriks Ešenvalds, The Pacific Lutheran Choir Of The West, Richard Nance | G Major | 1 | 9B | 75 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Bogoroditsè Devo | Sergei Rachmaninoff, Utah State University Chamber Singers, Cory Evans | F Major | 0 | 7B | 88 BPM | ||
| The Healer - A Cantata For St Luke's: The Shepherd | Karl Jenkins, Polyphony, Stephen Layton | G Major | 1 | 9B | 76 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| The Apostles, Op. 49: Prologue (The Spirit of the Lord Is upon Me) | Edward Elgar, John Rutter, Andrew Lucas, The Cambridge Singers | D Major | 2 | 10B | 108 BPM |