- BPM
- 79
- Key
- D♭ Minor
- Camelot
- 12A
Tallis: A New Commandment by The Tallis Scholars, Peter Phillips Song Details
"Tallis: A New Commandment" by The Tallis Scholars, Peter Phillips had its release date on April 1, 2004. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tallis: A New Commandment's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 74 in the song's album "Spem in Alium - The Tallis Scholars Sing Thomas Tallis (With 3 Bonus Tracks)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Tallis: A New Commandment is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Tallis: A New Commandment by The Tallis Scholars, Peter Phillips having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 28%
- Loudness
- -29.15 dB
- Acousticness
- 100%
- Danceability
- 9%
- Energy
- 5%
- Instrumentalness
- 8%
- Liveness
- 8%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Palestrina: Missa Brevis - 12. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 85 BPM | |
 | Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | |
 | Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | C Major | 1 | 8B | 69 BPM | |
 | Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | |
 | Martin : Mass : V Agnus Dei | Frank Martin, Edward Higginbottom, Tim Oldham | E Minor | 1 | 9A | 81 BPM | |
 | Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | |
 | Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | |
 | Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | |
 | Hosanna to the son of David | Orlando Gibbons, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | |
 | Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | |
 | Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | |
| Laudate Nomen (Arr. E. Fellowes for choir) | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | |
 | Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | |
 | Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | |
 | Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | |
 | All Is Miracle | Kyle Pederson, Transept, Timothy J. Campbell, Savannah Porter, Clara Osowski, Paul Sánchez | D♭ Major | 1 | 3B | 80 BPM | |
 | Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | |
 | Tallis: Blessed Are Those That Be Undefiled | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 130 BPM | |
 | Tallis: In manus tuas | Thomas Tallis, The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 82 BPM | |
 | Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | G Minor | 1 | 6A | 72 BPM | |
 | The Secret of Christ | Richard Shephard, Jason Klein-Mendoza, All Saints' Choir, Craig Phillips | G Major | 1 | 9B | 93 BPM | |
 | Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | |
 | Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | |
 | Byrd: Ne Irascaris, Domine - 2. Civitas Sancti Tui | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 141 BPM |
- ISRC
- GBADM8670326
- Label
- L-M Records/RCA Records