Francisco de Peñalosa, New York Polyphony's 'Sancta Maria succure miseris' had a release date set for September 6, 2019. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sancta Maria succure miseris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in New York Polyphony's "Lamentationes" album is number 5 out of 10. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Sancta Maria succure miseris is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sancta Maria succure miseris by Francisco de Peñalosa, New York Polyphony to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
| Antiphona nunc gaudeant | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková | G Minor | 0 | 6A | 170 BPM | ||
| Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | A♭ Minor | 2 | 1A | 78 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Requiem in memoriam Josquin Desprez: VII. Communio - Lux aeterna | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 86 BPM | ||
| Li noviaus tens | Chastelain de Couci, James Bowman, Early Music Consort Of London, David Munrow | C Major | 1 | 8B | 171 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Guerrero: Ave virgo sanctissima | A5 Vocal Ensemble, Francisco Guerrero | D♭ Major | 3 | 3B | 114 BPM | ||
| Lachrimae or Seven Tears: VII. Lachrimae verae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | G Minor | 0 | 6A | 74 BPM | ||
| Pater noster | Francisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner | G Major | 2 | 9B | 73 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Hic est discipulus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Si abra en este baldres | Juan del Encina, Accentus Ensemble, Thomas Wimmer | F Major | 3 | 7B | 83 BPM | ||
| Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
| Finale: In principio | Hildegard von Bingen, Sequentia | A Minor | 0 | 8A | 78 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Lamentations Ieremiae Prophetae: Bonum est viro | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 140 BPM |