- BPM
- 140
- Key
- B Minor
- Camelot
- 10A
Lamentations Ieremiae Prophetae: Bonum est viro by Alonso Lobo, Tenebrae, Nigel Short Song Details
"Lamentations Ieremiae Prophetae: Bonum est viro" by Alonso Lobo, Tenebrae, Nigel Short had its release date on March 28, 2011. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #25 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Lamentations Ieremiae Prophetae: Bonum est viro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Lamentations Ieremiae Prophetae: Bonum est viro by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentations Ieremiae Prophetae: Bonum est viro being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
Music Key
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -26.508 dB
- Acousticness
- 100%
- Danceability
- 15%
- Energy
- 5%
- Instrumentalness
- 95%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In pace in idipsum: In pace in idipsum | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 86 BPM | |
 | L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | |
 | Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | |
 | Sacred Concerto No. 4, "Make a joyful noise unto the Lord": II. All the earth shall worship thee | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | A Major | 0 | 11B | 120 BPM | |
 | Requiem: I. Introit and Kyrie | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | |
 | Three Shakespeare Songs: No. 3, Over Hill, Over Dale | Ralph Vaughan Williams, Tenebrae, Nigel Short | G Major | 2 | 9B | 62 BPM | |
 | Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | |
 | When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | |
 | Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | |
 | Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | B♭ Minor | 1 | 3A | 138 BPM | |
 | Versa est in luctum | Alonso Lobo, Stile Antico | F♯ Minor | 1 | 11A | 125 BPM | |
 | Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | |
 | Responsories for Maundy Thursday Nocturn 2: II. Iudas mercator pessimus | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 83 BPM | |
 | Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | |
 | Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | |
 | The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | |
 | I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | |
 | Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | |
 | Adoramus a sei voci | Claudio Monteverdi, Ensemble Vocal Européen de La Chapelle Royale, Philippe Herreweghe | E Major | 2 | 12B | 66 BPM | |
 | Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | |
 | Sheppard: Gaude virgo Christiphera - 6. Laus sit Patri et maiestas | John Sheppard, The Tallis Scholars, Peter Phillips | B♭ Minor | 2 | 3A | 108 BPM | |
 | O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | |
 | Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | |
 | Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | |
 | Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM |
- ISRC
- GBLLH1124825
- Label
- L-M Records/RCA Records