"In pace in idipsum: In pace in idipsum" by John Sheppard, Stile Antico had its release date on February 13, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Stile Antico's "Music for Compline: Tallis, Byrd, Sheppard" album is number 4 out of 17. On top of that, United States appears to be the country where this track was created. In pace in idipsum: In pace in idipsum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In pace in idipsum: In pace in idipsum by John Sheppard, Stile Antico to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| Sieben Lieder Op. 62: 7. Vergangen Ist Mir Glück Und Heil | Chamber Choir Of Europe, Reinhard Geller, Jürgen Meier, Johannes Brahms, Nicol Matt | A Minor | 1 | 8A | 78 BPM | ||
| Sheppard: Beata nobis gaudia - 6. Dudum sacrata pectora | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 1 | 9A | 76 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
| Sheppard: Beata nobis gaudia - 4. Patrata sunt haec mysticae | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 1 | 9A | 79 BPM | ||
| Ego Flos Campi | Jacob Clemens non Papa, Stile Antico | A♭ Major | 1 | 4B | 134 BPM | ||
| Sheppard: Media vita - 3. Nunc dimittis | John Sheppard, Peter Phillips, The Tallis Scholars | F♯ Major | 0 | 2B | 124 BPM | ||
| Dum transisset | John Taverner, Stile Antico | E♭ Minor | 0 | 2A | 80 BPM | ||
| In Te, Domine, Spreavi | Nordic Chamber Choir - Nicol Matt | D Minor | 0 | 7A | 83 BPM | ||
| Sheppard: Missa Cantate - 1h. Quoniam tu solus sanctus | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
| O presul vere civitatis, BN 45 | Hildegard von Bingen, Christopher Page, Gothic Voices, Margaret Philpot | A Major | 0 | 11B | 93 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Vidimus Stellam: II. Rorate Caeli | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| Lamentations Ieremiae Prophetae: Iod I | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 88 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| They that go down to the sea in ships | Herbert Sumsion, Michael Bloss, Choir of St John's, Elora, Noel Edison | F♯ Minor | 0 | 11A | 62 BPM |