"Vaughan Williams: Fantasia on a Theme by Thomas Tallis" by Ralph Vaughan Williams, Sinfonia Of London, Sir John Barbirolli had its release date on September 6, 2010. This song appears to be safe for all ages as it is not explicit. The song is number 7 out of 9 in English String Music: Various by Sir John Barbirolli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vaughan Williams: Fantasia on a Theme by Thomas Tallis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaughan Williams: Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams, Sinfonia Of London, Sir John Barbirolli is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, LSO String Ensemble, Roman Simovic | G Major | 1 | 9B | 69 BPM | ||
| Gymnopédie No. 3 (Orch. Debussy) | Erik Satie, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 68 BPM | ||
| Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O 14: 2. Andante | Felix Mendelssohn, Nicola Benedetti, Academy of St. Martin in the Fields, James MacMillan | C Major | 1 | 8B | 92 BPM | ||
| Puccini : Manon Lescaut : Act 3 Intermezzo | Giacomo Puccini, Kent Nagano, Orchestre de l'Opéra de Lyon | F♯ Minor | 1 | 11A | 109 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Symphony No. 3, "Pastoral Symphony": III. Moderato pesante | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | C Major | 0 | 8B | 88 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | ||
| In the Fen Country - Symphonic Impression | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | F Major | 0 | 7B | 64 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
| Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
| Enigma Variations - Nimrod | Edward Elgar, The Classical Masterpiece Orchestra | E♭ Major | 0 | 5B | 62 BPM | ||
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Amsterdam Sinfonietta, Peter Oundjian | D Major | 0 | 10B | 94 BPM | ||
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Elevazione For Cello And Oboe | Domenico Zipoli, Robert Haydon Clark, Consort of London | F Major | 1 | 7B | 94 BPM | ||
| By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
| Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Jacques Chambon, Karl Ristenpart, Saarland Radio Chamber Orchestra | A Major | 1 | 11B | 87 BPM | ||
| The Sleeping Beauty, Op. 66: No. 9a Pas d'action. Rose Adagio | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Minor | 1 | 3A | 99 BPM |