Symphony No. 3, "Pastoral Symphony": III. Moderato pesante by Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels Song Details

"Symphony No. 3, "Pastoral Symphony": III. Moderato pesante" by Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels had its release date on June 17, 1994. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Symphonies Nos. 3, 'Pastoral', and 6 by Ralph Vaughan Williams, Kees Bakels. The song's track number on the album is #3 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Symphony No. 3, "Pastoral Symphony": III. Moderato pesante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Symphony No. 3, "Pastoral Symphony": III. Moderato pesante by Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 3, "Pastoral Symphony": III. Moderato pesante being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -33.005 dB
Acousticness: 93%
Danceability: 11%
Energy: 2%
Instrumentalness: 53%
Liveness: 11%
Loudness: 45%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Divertimento: II. Waltz. Allegretto, con grazia	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D Minor	7	7A	148 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Two Eligiac Melodies Last Spring	Academy of St. Martin in the Fields	G Major	1	9B	88 BPM
Harvest Hymn	Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	2	10B	84 BPM
VII. Finale	Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari	D♭ Minor	3	12A	81 BPM
2nd Movement: Largo	London Philharmonic Orchestra	D♭ Major	0	3B	74 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
St. Paul's Suite, Op. 29 No. 2: II. Ostinato	Gustav Holst, English Sinfonia, Howard Griffiths	C Major	1	8B	108 BPM
2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	E Minor	0	9A	79 BPM
Romance in E-Flat Major, Op. 11	Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths	A♭ Major	1	4B	86 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	G Major	2	9B	98 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green	E Major	1	12B	82 BPM
Vaughan Williams: The Lark Ascending	Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra	E Minor	0	9A	102 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	B♭ Major	0	6B	71 BPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	1	10B	90 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Serenade in B flat, K.361 "Gran partita": 3. Adagio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner	E♭ Major	4	5B	89 BPM
Sailing By	Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson	F Major	0	7B	80 BPM
Elgar: Introduction and Allegro, Op. 47: I. Moderato	Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London	G Major	6	9B	100 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Walzer: Moderato (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Sir Colin Davis	G Major	1	9B	124 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Oboe Concerto in A Minor: I. Rondo Pastorale	Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan	E♭ Major	1	5B	142 BPM