Howard Goodall, The London Musical Theatre Orchestra, Freddie Tapner, Lauren Samuels, Lizzie Wofford, Bronté Barbé's 'Passacaglia (One Dread Moment)' had a release date set for April 12, 2019. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Howard Goodall, The London Musical Theatre Orchestra's "Girlfriends" album is number 8 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Passacaglia (One Dread Moment) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Passacaglia (One Dread Moment) by Howard Goodall, The London Musical Theatre Orchestra, Freddie Tapner, Lauren Samuels, Lizzie Wofford, Bronté Barbé to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum, H. 146: No. 1, Prelude | Marc-Antoine Charpentier, National Philharmonic Orchestra, Charles Gerhardt | D Major | 3 | 10B | 118 BPM | ||
| The Big Country | Keith Papworth | F Minor | 6 | 4A | 90 BPM | ||
| A Big Trap | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | C Major | 6 | 8B | 147 BPM | ||
| The Alfred Hitchcock Theme | Frank Chacksfield & His Orchestra | D Major | 2 | 10B | 108 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| The Lord Is My Shepherd | Howard Goodall, Taylor Festival Choir, Rob Taylor, Savannah Porter, Nicholas Quardakus | D Minor | 1 | 7A | 89 BPM | ||
| John & Lori At Work / A Walk In The Park | Walter Murphy | C Major | 4 | 8B | 74 BPM | ||
| The Adventures of TinTin - Main Theme - Epic Version | L'Orchestra Cinematique | B♭ Major | 4 | 6B | 80 BPM | ||
| And Champagne for All | The Fly Guy Five | C Major | 6 | 8B | 168 BPM | ||
| Let's Play for 125,000 | Keith Strachan, Matthew Strachan | B Major | 1 | 1B | 60 BPM | ||
| Gaiety in the Golden Age | Aaron Kenny | B♭ Major | 3 | 6B | 150 BPM | ||
| How to Tango | Arthur Benson | B Minor | 1 | 10A | 115 BPM | ||
| All in a Days Work | Bent Fabricius-Bjerre | A♭ Minor | 5 | 1A | 117 BPM | ||
| Main Titles From "Robin Hood: Prince Of Thieves" | Cincinnati Pops Orchestra, Erich Kunzel | E Major | 1 | 12B | 97 BPM | ||
| There She Goes (Bend It Like Beckham) | Lauren Samuels, Howard Goodall | B Major | 2 | 1B | 94 BPM | ||
| All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM | ||
| Commandeering The Vessel | Ilan Eshkeri | E Major | 5 | 12B | 128 BPM | ||
| It's Finn McMissile! - From "Cars 2"/Score | Michael Giacchino | B Minor | 4 | 10A | 155 BPM | ||
| Twelfth Street Rag | Ivan Mladek | D♭ Major | 2 | 3B | 96 BPM | ||
| Horlepiep | Jan Rap | F Major | 5 | 7B | 101 BPM | ||
| Follow Every Move | Radio Night | A Minor | 7 | 8A | 143 BPM | ||
| Da Coconut Nut - The Coconut Song | The San Miguel Master Chorale | C Major | 4 | 8B | 84 BPM | ||
| Confidence Is Key | Arthur Benson | D Major | 1 | 10B | 115 BPM | ||
| Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
| Still a Child - The Chances Are | Howard Goodall, The London Musical Theatre Orchestra, Vikki Stone, Lauren Samuels, Bronté Barbé, Freddie Tapner | F Minor | 4 | 4A | 91 BPM |