On October 14, 2009, the song "出船の港(管弦楽伴奏)" was released by 藤原義江. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 出船の港(管弦楽伴奏)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノイズレスSPアーカイヴズ 鉾をおさめて/藤原義江〈日本歌曲編〉, so we believe that "出船の港(管弦楽伴奏)" is a single. Based on our statistics, 出船の港(管弦楽伴奏)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 出船の港(管弦楽伴奏) by 藤原義江 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Love Is Like a Red, Red Rose | Kenneth McKellar | D♭ Major | 2 | 3B | 166 BPM | ||
| ヴォルガの船唄 | 藤原義江 | C Minor | 1 | 5A | 102 BPM | ||
| Ochi chjornye | Georgi Vinogradov | D Minor | 1 | 7A | 74 BPM | ||
| Yo No Soy Marinero - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D♭ Major | 3 | 3B | 130 BPM | ||
| One Day When We Were Young | Richard Strauss, David Gray, Tommy Tycho | D♭ Major | 4 | 3B | 84 BPM | ||
| Es el Más Lindo Querer / La Mejana (feat. Miguel Cenoz, Rondalla Lizaga-Domingo) | Raimundo Lanas, Miguel Cenoz, Rondalla Lizaga-Domingo | C Major | 2 | 8B | 84 BPM | ||
| 宵待草 | 藤原義江 | D♭ Minor | 1 | 12A | 94 BPM | ||
| Ator, Ator Mutil: Canción a 5 Voces Mixtas - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | E♭ Major | 3 | 5B | 98 BPM | ||
| Douze Danses Allemandes - 1 Do majeur | Beethoven | C Major | 4 | 8B | 102 BPM | ||
| Lady of Spain ((スペインの姫君) | Koichi Sugii | B Minor | 2 | 10A | 132 BPM | ||
| Cholito Toca y Retoca - Remastered | Luisa de Córdoba, Daniel Montorio | A♭ Major | 5 | 4B | 194 BPM | ||
| Dice Que Me Ha de Matar / Lagunera (feat. Miguel Cenoz, Rondalla Lizaga-Domingo) | Raimundo Lanas, Miguel Cenoz, Rondalla Lizaga-Domingo | A♭ Minor | 4 | 1A | 80 BPM | ||
| На сопках Маньчжурии | Peter Kirichek | D♭ Major | 2 | 3B | 176 BPM | ||
| 抜刀隊の歌 | 荒木宏明, 男性合唱団 東京リーダーターフェル1925 | E Major | 4 | 12B | 105 BPM | ||
| Rose Marie | Jeanette MacDonald, Nelson Eddy | C Major | 1 | 8B | 71 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| トライ・トゥ・リメンバー | Fubuki Koshiji | D♭ Major | 1 | 3B | 105 BPM | ||
| 鉾をおさめて | 藤原義江, ヴィンセント・ロペツ・アンド・ヒズ・シンフォニック・ジャズ・オーケストラ | A Minor | 6 | 8A | 137 BPM | ||
| Scalerica de Oro - Remastered | Sofía Nöel | C Major | 2 | 8B | 72 BPM | ||
| Rústica: Danza de España - Remastered | Orquesta Ibérica De Madrid, Germán Lago | A Minor | 1 | 8A | 137 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
| Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
| El Barberillo de Lavapies: Entrada de Paloma | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego | A Major | 2 | 11B | 131 BPM | ||
| Tace Il Labbro T'Amo | F. Lehar - V. Leon - L. Stein - F. Fontana - L. Ramo, Cesare Gallino | G Major | 2 | 9B | 87 BPM |