"All Things Bright and Beautiful" by John Rutter, The Cambridge Singers, City of London Sinfonia had its release date on September 1, 2005. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. All Things Bright and Beautiful's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Rutter, The Cambridge Singers's "Gloria: The Sacred Music Of John Rutter" album is number 4 out of 17. On top of that, United Kingdom appears to be the country where this track was created. All Things Bright and Beautiful is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of All Things Bright and Beautiful by John Rutter, The Cambridge Singers, City of London Sinfonia to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place | Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
| Sicut cervus: I. Sicut cervus desiderat | Giovanni Pierluigi da Palestrina, The Cambridge Singers, John Rutter | G Major | 1 | 9B | 81 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Locus Iste | Paul Mealor, VOCES8 | E♭ Major | 0 | 5B | 127 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
| Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Veni Domine | Jeff Lippencott, Ligonier Festival Orchestra | G Minor | 2 | 6A | 79 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | ||
| Abide With Me | The Concordia Choir, René Clausen | D Major | 2 | 10B | 106 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Softly and Tenderly | The Concordia Choir | G Major | 0 | 9B | 127 BPM | ||
| How Still He Rests | Brent Pierce, Utah State University Chamber Singers, Cory Evans, Kristin Mumford, Mindy Barney | D Major | 1 | 10B | 75 BPM | ||
| As the Bridegroom to His Chosen | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM |