- BPM
- 57
- Key
- F Minor
- Camelot
- 4A
Fantasia à 5 by Thomas Tallis, Fretwork Song Details
"Fantasia à 5" by Thomas Tallis, Fretwork had its release date on March 1, 2011. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Fretwork's "In Nomine Sixteenth Century Music for Viols" album is number 7 out of 21. Fantasia à 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Fantasia à 5 by Thomas Tallis, Fretwork to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -23.468 dB
- Acousticness
- 96%
- Danceability
- 6%
- Energy
- 2%
- Instrumentalness
- 29%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | |
 | Requiem in memoriam Josquin Desprez: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 83 BPM | |
 | Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | |
 | Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | |
 | Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | |
 | The Strathclyde Motets: O Radiant Dawn | James MacMillan, The Gesualdo Six, Owain Park | A Minor | 1 | 8A | 82 BPM | |
 | Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 89 BPM | |
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Tenebrae factae sunt à 4 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 84 BPM | |
 | Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | |
 | Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | |
 | Spem in alium - Vocal | Thomas Tallis, Paul Van Nevel | C Major | 2 | 8B | 133 BPM | |
 | Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | |
 | Homo quidam fecit coenam | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | A Major | 3 | 11B | 83 BPM | |
 | Lydian (Arr. R. Smedvig) | Rolf Smedvig, Hildegard von Bingen, Empire Brass | F Major | 0 | 7B | 126 BPM | |
 | Tallis: Salvator mundi (Cantiones sacrae 1575) | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 2 | 3A | 82 BPM | |
 | Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | |
 | The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | |
 | Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | |
 | Circumdederunt me | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 1 | 7B | 80 BPM | |
 | Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | |
 | O vos omnes, I | Carlo Gesualdo, Les Cris De Paris, Geoffroy Jourdain | C Major | 0 | 8B | 87 BPM | |
| Holy Spirit Mass: Fount of Life: Mercy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 86 BPM | |
 | Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | |
 | Missa L'homme arme: Kyrie (Missa L' homme arme) | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | B Major | 1 | 1B | 134 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records