"白鳥" by C. サン=サーンス, 渡邊方子(チェロ), 小森谷裕子(ピアノ) had its release date on November 25, 2015. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 白鳥's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in オリエンタル, so we believe that "白鳥" is a single. 白鳥 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 白鳥 by C. サン=サーンス, 渡邊方子(チェロ), 小森谷裕子(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Elegische Stücke, Op. 106: I. Elegie | Christian Sinding, Henning Kraggerud, Christian Ihle Hadland | C Minor | 0 | 5A | 97 BPM | ||
| Ave Maria "Tanti anni prima" | Yoko Ara, Takehiko Yamada | C Major | 1 | 8B | 77 BPM | ||
| Romance in G Major | Max Reger, Karl Leister, Ferenc Bognar | G Major | 0 | 9B | 106 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | A Minor | 2 | 8A | 73 BPM | ||
| アヴェ・マリア | C. サン=サーンス, 荒井英治(ヴァイオリン), 白石光隆(ピアノ) | G Major | 1 | 9B | 89 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | A Minor | 2 | 8A | 73 BPM | ||
| Aus Jotunheim, Suite über Norwegische Volksweisen: III. Andante con moto | Julius Röntgen, Markus Maskuniitty, Martin Sturfalt | E♭ Major | 0 | 5B | 77 BPM | ||
| 白鳥 | C. サン=サーンス, 渡邊方子(チェロ), 小森谷裕子(ピアノ) | E♭ Major | 1 | 5B | 74 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): X. Variation 8 | Ernst Krähmer, Claudio Ferrarini | A Minor | 2 | 8A | 73 BPM | ||
| 3 Romanzen, Op. 22: No. 1, Andante molto (Arr. For cello and piano) | Clara Schumann, Karine Georgian, Jan Willem Nelleke | D♭ Major | 1 | 3B | 173 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Adagio and Rondo in C Minor, K. 617: Rondo (Arr. A. Wurtzler for orchestra) | Wolfgang Amadeus Mozart, Sylvia Kowalczuk, Hungarian Virtuosi, Aristid Von Würtzler | C Major | 1 | 8B | 80 BPM | ||
| 6 Nocturnes, Op. 186: Nocturne No. 4: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Major | 0 | 10B | 86 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): I. Allegretto | Johann Joachim Quantz, Claudio Ferrarini | A Minor | 2 | 8A | 73 BPM | ||
| Sonate Op. 64: IV. Finale (Moderato) | Mel Bonis, Juliette Hurel, Hélène Couvert | A Major | 1 | 11B | 71 BPM | ||
| Symphony No. 3 in C Minor Op. 78 ”Organ": I. Adagio - Allegro moderato - Poco Adagio | C. サン=サーンス, 広上淳一(指揮), NHK交響楽団, Junichi Hirokami, NHK Symphony Orchestra | C Major | 2 | 8B | 84 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| Double Concerto in E Minor, Op. 88: I. Andante con Moto | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | D♭ Minor | 0 | 12A | 99 BPM | ||
| チェロ協奏曲 ニ長調 作品101 Hob. VIIb-2 II - Adagio | Joseph Haydn, 藤原真理, Netherlands Chamber Orchestra, Michiyoshi Inoue | A Major | 1 | 11B | 103 BPM | ||
| 白鳥 | C. サン=サーンス, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| クラリネット・ソナタ 作品167 IV. Molto allegro | C. サン=サーンス, 磯部周平(クラリネット), 岡崎 悦子 (ピアノ) | C Minor | 2 | 5A | 86 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Joseph Haydn, Konzerthausorchester Berlin, Justin Doyle | A Minor | 2 | 8A | 73 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Dartington Piano Trio | B♭ Major | 0 | 6B | 145 BPM |