"Frescobaldi: Toccate e partite d'intavolatura, Libro 1: Partite cento sopra il passacagli" by Girolamo Frescobaldi, Shani Diluka had its release date on September 26, 2025. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Renaissance". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Frescobaldi: Toccate e partite d'intavolatura, Libro 1: Partite cento sopra il passacagli's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frescobaldi: Toccate e partite d'intavolatura, Libro 1: Partite cento sopra il passacagli by Girolamo Frescobaldi, Shani Diluka having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Glass: Etude No. 9 | Philip Glass, Shani Diluka | G Major | 0 | 9B | 66 BPM | ||
| 12 Caprices, Op. 25: No. 4 in D Minor - Allegretto | Alfredo Piatti, Antonio Meneses | D Minor | 0 | 7A | 60 BPM | ||
| Pass'emezzo moderno | Diego Ortiz, Paolo Pandolfo | F♯ Major | 2 | 2B | 60 BPM | ||
| Bach: Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II | Johann Sebastian Bach, Anastasia Kobekina | F Major | 1 | 7B | 62 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Adagio | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Minor | 1 | 2A | 193 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Sarabande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 | Julius Asal, Domenico Scarlatti | B Minor | 0 | 10A | 69 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Allegro assai | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 4 | 2B | 116 BPM | ||
| Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
| Fugue in Bm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | F♯ Minor | 0 | 11A | 98 BPM | ||
| Partita II in do menore : Andante elegiaco | Lazar Berman | C Minor | 1 | 5A | 97 BPM | ||
| L'orfeo: Orfeo, tu dormi | Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
| Canzoni, libro 1b: Toccata per spinettina, è violino, F 8.49 | Girolamo Frescobaldi, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | A♭ Minor | 1 | 1A | 78 BPM | ||
| Purcell: Ground | Henry Purcell, Hayato Sumino | B Minor | 1 | 10A | 105 BPM | ||
| Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Dina Ugorskaja | D Minor | 0 | 7A | 112 BPM | ||
| Goldberg variationen, BWV 988 : Aria, Andante espressivo | Elena Valentini, Patrizia Prati | G Major | 0 | 9B | 119 BPM | ||
| Couperin, L: Suite en ré: IV. Courante, G. 43 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | ||
| Spanish Rhythms No.2 (Tientos) - Duo-Art 6299 | Raoul Laparra, Peter Phillips | F♯ Minor | 0 | 11A | 98 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Domenico Scarlatti, Shani Diluka | D Minor | 2 | 7A | 145 BPM | ||
| Sonata No. 2 for Solo Violin in A Minor, BWV 1003: I. Grave | Johann Sebastian Bach, Renaud Capuçon | F♯ Minor | 0 | 11A | 98 BPM | ||
| Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes | François Couperin, Alexandre Tharaud | C Minor | 0 | 5A | 67 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 4, in E Minor: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | E Minor | 1 | 9A | 135 BPM |