"Komm in die Gondel" by Rudolf Schock had its release date on January 1, 1985. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Rudolf Schock und seine Lieder". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Komm in die Gondel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Komm in die Gondel by Rudolf Schock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Im Prater blühn wieder die Bäume (Wienerlied) | Robert Stolz, Rudolf Schock | A♭ Major | 2 | 4B | 167 BPM | ||
| Der Graf von Luxemburg · Operette in 3 Akten (Querschnitt), Erster Akt: - Mein Ahnherr war der Luxemburg - So liri, liri, lari | Rudolf Schock, Frank Fox, Chor, Berliner Symphoniker, Helga Hildebrand | D Major | 5 | 10B | 147 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Du schönes Wesen!" (Bacchus, Ariadne) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Rudolf Schock, Philharmonia Orchestra | A♭ Major | 1 | 4B | 68 BPM | ||
| Die Fledermaus, IJS 481: Dieser Anstand, so manierlich | Johann Strauss II, Rudolf Schock, Wilma Lipp, Robert Stolz | F Major | 3 | 7B | 81 BPM | ||
| LA BOHÈME · Oper in 4 Akten · Ausschnitte in deutscher Sprache, Viertes Bild: in der Mansarde: - Ach, Geliebte! Nie kehrst du mir wieder | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Rudolf Schock/Dietrich Fischer-Dieskau/Gottlob Frick/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | C Major | 3 | 8B | 93 BPM | ||
| Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
| Die Zauberflöte, K. 620, Act II: Finale. Bald prangt, den Morgen zu verkunden - Der, welcher wandert - Papagena! Papagena! Papagena! - Nur stille! Stille! Stille Stille! | Wolfgang Amadeus Mozart, Hermann Thimig, Kurt Lieck, Josef Greindl, Rudolf Schock, Hans Hotter, Peter Esser, Horst Otto Rainer, Kathe Moller-Siepermann, Wilma Lipp, Teresa Stich-Randall, Annelies Kupper, Elisabeth Lindermeier, Hanna Ludwig, Hilla Oppel, Gisela Litz, Kristina Sert, Erich Kunz, Kurt Marschner, Wilhelm Lückert, Walter Kreppel, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Joseph Keilberth | B♭ Major | 2 | 6B | 81 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | D♭ Major | 0 | 3B | 116 BPM | ||
| Die Zauberflöte, K. 620, Act II: Terzett: Seid uns zum zweiten Mal willkommen (Drei Knaben) | Wolfgang Amadeus Mozart, Hermann Thimig, Kurt Lieck, Josef Greindl, Rudolf Schock, Hans Hotter, Peter Esser, Horst Otto Rainer, Kathe Moller-Siepermann, Wilma Lipp, Teresa Stich-Randall, Annelies Kupper, Elisabeth Lindermeier, Hanna Ludwig, Hilla Oppel, G | A Major | 1 | 11B | 139 BPM | ||
| Bizet: Carmen, Act 1: Seguidilla. "Draußen am Wall von Sevilla" (Carmen, Don José) | Georges Bizet, Horst Stein, Christa Ludwig, Rudolf Schock, Berliner Symphoniker | E Major | 1 | 12B | 82 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| Martha: Ach, so fromm | Friedrich von Flotow, Rudolf Schock, Heinz Wallberg | F Major | 2 | 7B | 164 BPM | ||
| Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester, Angelika Kirchschlager | D Major | 1 | 10B | 87 BPM | ||
| My Fair Lady: Ascot Gavotte (Orchester) | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 2 | 9B | 117 BPM | ||
| Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 84 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| Ich liebe dich, nur dich allein | Rudolf Schock | E♭ Major | 3 | 5B | 72 BPM | ||
| Straus: Ein Walzertraum, Act I: "Mein lieber Freund, Du läßt mich lang allein" | Oscar Straus, Lisa Otto, Manfred Schmidt, Brigitte Mira, Bruno Fritz, Melitta Muszely, Rudolf Schock, Wilhelm Schüchter, Berliner Symphoniker | A♭ Major | 3 | 4B | 66 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Schubert: Deutsche Messe, D. 872: No. 3, Zum Evangelium und Credo | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
| With A Song In My Heart | Harry Secombe | C Minor | 4 | 5A | 102 BPM | ||
| Gefangenen Chor Nabucco | Angela Wiedl, R. Wiedl, G. Humphrey, M. Schmidt, B. Sauter | D♭ Major | 3 | 3B | 92 BPM |