"Martha: Ach, so fromm" by Friedrich von Flotow, Rudolf Schock, Heinz Wallberg had its release date on November 9, 2012. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Die großen Erfolge by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Martha: Ach, so fromm is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Martha: Ach, so fromm by Friedrich von Flotow, Rudolf Schock, Heinz Wallberg is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade (From "3 Morceaux") | Joseph Haydn, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Ô Père, je suis ton enfant | Nicolas de Angelis | G Major | 3 | 9B | 173 BPM | ||
| Pomp And Circumstance March No. 1 | Edward Elgar, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Martha: Act I: "Darf mit nächtig düstren Träumen" | Friedrich von Flotow, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Erna Berger, Else Tegetthoff, Johannes Schüler | G Major | 2 | 9B | 78 BPM | ||
| Alessandro Stradella: An dem linken Strand der Tiber | Friedrich von Flotow, Orchester des Landestheaters Linz, Siegfried Meik, Franz Glawatsch, Paul Konrad | A♭ Minor | 3 | 1A | 131 BPM | ||
| Time To Say Goodbye | Dirk Schiefen | G Major | 3 | 9B | 152 BPM | ||
| Tales From The Vienna Wood (Waltz opus 325 - Légendes De La Forét Viennoise (Valse op. 325) - Storielle Del Bosco Viennese (Valzer) - Cuentos Del Bosque Vienés, Vals op. 325 - Geschichten Aus Dem Wienerwald (Walzer) - Exklusive Neuaufnahme | Alfred Hause, Vienna Waltz Country Ballroom Orchestra | F Major | 3 | 7B | 181 BPM | ||
| Ombra Mai Fu | Yulia, George Frideric Handel | E Major | 4 | 12B | 124 BPM | ||
| Martha: Act III: "Blitz! Die wilde Jagd" | Friedrich von Flotow, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Josef Greindl, Else Tegetthoff, Johannes Schüler | B♭ Major | 5 | 6B | 126 BPM | ||
| C ‘era una volta la terra mia | Petra Berger | C Major | 3 | 8B | 126 BPM | ||
| Legends of the Fall | James Horner, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Major | 2 | 11B | 93 BPM | ||
| Martha, Act I: Der Markt beginnt (Live) | Friedrich von Flotow, Franz Mayer, Julia Heße, Svea Verfürth, Nicolai Klawa, Gerhard Singer, Michaela Schaudel, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | C Major | 2 | 8B | 124 BPM | ||
| 'Preludio' Uit La Traviata | Mastreechter Staar | B Major | 1 | 1B | 98 BPM | ||
| O Sole Mio | Eduardo di Capua, Alfredo Mazzucchi, André Rieu, Johann Strauss Orchestra | B♭ Major | 4 | 6B | 99 BPM | ||
| Boléro | Katica Illényi | C Major | 4 | 8B | 74 BPM | ||
| Toselli-Serenade | C. F. Orchester Richards | E Major | 3 | 12B | 82 BPM | ||
| Once Upon a Time in the West (Jill's Theme) | World Sound Orchestra | D Major | 3 | 10B | 90 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Berceuse | The Romantic Sound Orchestra | G Minor | 2 | 6A | 80 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | B Minor | 1 | 10A | 79 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Martha: Act II: "Nancy! Julia! Verweile! - Blickt sein Auge doch so ehrlich" | Friedrich von Flotow, Staatskapelle Berlin, Erna Berger, Peter Anders, Johannes Schüler | B♭ Major | 3 | 6B | 80 BPM | ||
| Only Love | Vladimir Cosma, André Rieu, Johann Strauss Orchestra | E Major | 1 | 12B | 85 BPM | ||
| Va, pensiero | Filippa Giordano | C Major | 4 | 8B | 92 BPM | ||
| Zadok the Priest | George Frideric Handel, Amici forever, Nick Ingman | D Major | 3 | 10B | 132 BPM |