Edward Elgar, André Rieu's 'Pomp And Circumstance March No. 1' had a release date set for January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of You’ll Never Walk Alone by André Rieu. The song's track number on the album is #11 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Pomp And Circumstance March No. 1's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pomp And Circumstance March No. 1 by Edward Elgar, André Rieu has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Pomp And Circumstance March No. 1 being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Beautiful Blue Danube | Johann Strauss II, André Rieu, Johann Strauss Orchestra | C Major | 5 | 8B | 113 BPM | ||
| Bist du einsam heut' Nacht | Lou Handman, Ray Turk, André Rieu | G Major | 3 | 9B | 163 BPM | ||
| Can't Help Falling in Love | George David Weiss, Hugo Perreti, Luigi Creatore, André Rieu, Johann Strauss Orchestra | G Major | 3 | 9B | 171 BPM | ||
| The Winner Takes it All | Björn Ulvaeus, Benny Andersson, André Rieu, Johann Strauss Orchestra | F♯ Major | 3 | 2B | 82 BPM | ||
| Love Theme - From "The Godfather" | Nino Rota, André Rieu, Johann Strauss Orchestra | D♭ Major | 2 | 3B | 97 BPM | ||
| Il Silenzio | Celesta Rosso, André Rieu, Roger Diederen | E Minor | 3 | 9A | 62 BPM | ||
| Fascination | Fermo Dante Marchetti, André Rieu, Johann Strauss Orchestra | C Major | 3 | 8B | 90 BPM | ||
| Milord | Marguerite Angèle Monnot, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Schwarze Augen | Florian Hermann, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM | ||
| Seventy-Six Trombones (From "The Music Man") | Meredith Willson, André Rieu | F Major | 1 | 7B | 172 BPM | ||
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Adieu, mein kleiner Gardeoffizier, Op. 557 - Live | Robert Stolz, André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Madieke Schoots, Micaëla Oeste, Phil Bee | F Major | 10 | 7B | 125 BPM | ||
| Some Day My Prince Will Come | Frank Churchill, André Rieu, Johann Strauss Orchestra | F Major | 5 | 7B | 87 BPM | ||
| Parade of the Charioteers - Live | Miklós Rózsa, André Rieu, Johann Strauss Orchestra | B Minor | 9 | 10A | 124 BPM | ||
| Alte Kameraden - Live | Carl Teike, André Rieu, Maastrichts Salon Orkest, Maastrichts Salon Orchestra | E♭ Major | 4 | 5B | 111 BPM | ||
| Salut d'Amour | Edward Elgar, André Rieu, Johann Strauss Orchestra | E Minor | 3 | 9A | 62 BPM | ||
| Second Waltz | Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra | C Major | 5 | 8B | 124 BPM | ||
| Boléro - Live | Maurice Ravel, André Rieu, Johann Strauss Orchestra | C Major | 6 | 8B | 78 BPM | ||
| My Way | Jacques Revaux, Claude François, André Rieu, Johann Strauss Orchestra | A♭ Major | 4 | 4B | 83 BPM | ||
| Santa Lucia - ARV_14 | Traditional, André Rieu, Johann Strauss Orchestra | E Minor | 3 | 9A | 62 BPM | ||
| Edelweiß (From "The Sound of Music") | Richard Rodgers, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM | ||
| André Goes Marching On | André Rieu, Johann Strauss Orchestra | B♭ Major | 6 | 6B | 118 BPM | ||
| Pomp And Circumstance March No. 1 | Edward Elgar, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Adagio (From "Spartacus") | Aram Khachaturian, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Ouvertüre "Carmen" | André Rieu | B♭ Major | 7 | 6B | 78 BPM |