Jared Emerson-Johnson's ' "Consecutive Office" was released on its scheduled release date, December 2, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Sam & Max Save The World: Volume 2 (Original Game Soundtrack)". In this album, this song's track order is #2. Based on our statistics, Consecutive Office's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Consecutive Office by Jared Emerson-Johnson having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clem Awake | Jared Emerson-Johnson | A Minor | 0 | 8A | 69 BPM | ||
| All That Remains | Jared Emerson-Johnson | G Major | 2 | 9B | 108 BPM | ||
| Floating In-Between | Miwako Chinone | F♯ Major | 0 | 2B | 73 BPM | ||
| It All Makes Sense Now | Woody Jackson | B Major | 1 | 1B | 90 BPM | ||
| Decline | Pawel Blaszczak | F Major | 3 | 7B | 140 BPM | ||
| The Last of Us (You and Me) | Gustavo Santaolalla, Alan Umstead | E Minor | 0 | 9A | 142 BPM | ||
| Mickey's Theme | Jim Dooley | F Major | 2 | 7B | 130 BPM | ||
| Aristocracy Exploration | Daniel Licht | G Major | 0 | 9B | 75 BPM | ||
| Untoten Requiem | Wilbert Roget, II | A♭ Major | 1 | 4B | 80 BPM | ||
| Inside the Numbers | John Paesano | B♭ Minor | 3 | 3A | 120 BPM | ||
| The Beginning | 内山 修作 | E Minor | 2 | 9A | 77 BPM | ||
| Sunset Vault | Valve | F♯ Major | 2 | 2B | 117 BPM | ||
| New Home | Olivier Deriviere | B♭ Minor | 1 | 3A | 79 BPM | ||
| Samantha's Lullaby | Brian Tuey | G Minor | 4 | 6A | 115 BPM | ||
| Boots Through the Undergrowth | Tobias Lilja | F Major | 2 | 7B | 120 BPM | ||
| Jasir | Pawel Blaszczak | G Minor | 1 | 6A | 80 BPM | ||
| Lure of the Maw | Tobias Lilja | F Minor | 0 | 4A | 116 BPM | ||
| The City of Ruin | Masami Ueda | D♭ Major | 3 | 3B | 110 BPM | ||
| Debriefing at Headquarters | Sabrielle Christie | C Minor | 5 | 5A | 140 BPM | ||
| The Vandal King | Marc Canham | G Minor | 6 | 6A | 95 BPM | ||
| The Night Runners | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Potatos Lament | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Frank West | 奥河英樹 | F♯ Major | 4 | 2B | 113 BPM | ||
| The Start of a Journey | Ludvig Forssell, 本田晃弘 | E Minor | 2 | 9A | 75 BPM | ||
| Reality Disruption Pulse | Valve | C Major | 5 | 8B | 140 BPM |