"Approaching Shadow" by KIM JEONG WAN had its release date on July 6, 2024. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 39 out of 40 in Connection OST All Track by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. In terms of popularity, Approaching Shadow is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Approaching Shadow by KIM JEONG WAN is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Blood Burden | Masaru Yokoyama | D Major | 2 | 10B | 88 BPM | ||
| Luchar | Reino De Fuego | E Minor | 1 | 9A | 95 BPM | ||
| Ossessione | Paolo Buonvino | B♭ Minor | 2 | 3A | 120 BPM | ||
| I Was Petrified Of Sharks | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| Contra spem | Corpus Dominix | A Minor | 2 | 8A | 118 BPM | ||
| Pandora | Martin Madrazo, Martin Lamo | G Minor | 3 | 6A | 105 BPM | ||
| Blood Lab | Atli Örvarsson, Kjartan Holm, Sin Fang | B♭ Minor | 2 | 3A | 120 BPM | ||
| Tension Underscore | AfterHours Audio | B♭ Minor | 2 | 3A | 120 BPM | ||
| Puntos Comunes | Universos Terrenales | B Minor | 1 | 10A | 91 BPM | ||
| Whatever You Like | Emre Ozsoy, Jean West | G Major | 1 | 9B | 75 BPM | ||
| Agua Al Fuego | Espiritu Vencedor | B Minor | 4 | 10A | 110 BPM | ||
| The Crash | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| Uncharted Waters | Aleksi Aubry-Carlson, Jonathan Figoli | D Minor | 4 | 7A | 82 BPM | ||
| Higher | Bruno Alerander | E Minor | 1 | 9A | 143 BPM | ||
| Shadow's Final Edge | Nicolas Errera | D♭ Major | 3 | 3B | 140 BPM | ||
| Corruption | Swik | F♯ Minor | 3 | 11A | 100 BPM | ||
| BIOHAZARD | Noah Ashwood | D♭ Major | 3 | 3B | 170 BPM | ||
| Like a Bird | Denis Christ, DEUX | E♭ Major | 5 | 5B | 100 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| Calor De Noche | Moon Vagrants | C Major | 3 | 8B | 110 BPM | ||
| Rockwell's Diary 9 | Gareth Coker | B♭ Minor | 2 | 3A | 120 BPM | ||
| The Longest Night | zdone | C Minor | 0 | 5A | 89 BPM | ||
| Wounds of Faith | Al Nasheeds | E♭ Major | 4 | 5B | 182 BPM | ||
| Find Alexander | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Blood Money | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 141 BPM |